Armand GuillauminFrench, 1841–1927Kind dat soep eet
May one see it?
Unknown: the museum keeps its counsel
Rijksmuseum
Amsterdam, Netherlands
The owner is known. Whether it is on view today, the museum does not say, and we were not trained to guess.
- Source
- The museum's own collection data
Particulars
- Accession number
- RP-P-1974-137
What it shows
Sources
- Rijksmuseum: the museum's own open data · fetched 5 days ago
- Image: Rijksmuseum — public domain
Meanwhile, in the life of Armand Guillaumin
The whole life1890s
A bolder palette: a Fauve before Fauvism
By the 1890s his palette has grown even bolder and less faithful to nature — he was a Fauve a decade before Fauvism; Othon Friesz was guided by his advice and example, so Guillaumin influenced the rise of Fauvism.
1893–1913
Travels around France for new subjects
In 1893–1913 he paints in the Creuse, Crozant, Agay, the Auvergne, the departments of Orne and Eure, Louen and Rouen; works of these years include “The Hamlet of Péchadoire” and “Landscape at Agay” (both 1895) and “The Mill at Bouchardon” (1905).
1901
Solo exhibition at Bernheim-Jeune
A large solo exhibition at Galerie Bernheim-Jeune in Paris.
