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  1. Collection/
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  3. Juno
Juno, Angelica Kauffmann, 1780
Angelica Kauffmann, portraitAngelica KauffmannSwiss, 1741–1807

Juno

1780 · Print

May one see it?

Unknown

Herzog Anton Ulrich Museum

Braunschweig, Germany

The owner is known; whether it is on view today is not.

In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

1780 · aged 39
17411807

Meanwhile, in the life of Angelica Kauffmann

The whole life
  1. 1769–1782

    An annual exhibitor at the Royal Academy

    From 1769 until 1782 Kauffman exhibited at the Royal Academy every year, sometimes sending as many as seven pictures, generally on classical or allegorical subjects.

  2. 1770s

    Engravers reproduce her pictures

    At the same time Kauffman began to work with engravers who copied her pictures for wide distribution, and she became a commercially successful artist.

  3. 1781

    Returns to Rome

    Disappointed by the relative apathy of the British towards history painting, Kauffman left London, where she had lived for fifteen years, in 1781, after her marriage to Antonio Zucchi, and returned to Rome, where that genre was better known and enjoyed the patronage of patrons and collectors.

  4. 1781

    Married: Antonio Zucchi

  5. after 1781

    Befriends Goethe in Rome

    In Rome Kauffman befriended, among others, Johann Wolfgang von Goethe.

  6. 1782

    Her father, Joseph Johann Kauffmann, dies

    In 1782 Angelica’s father, Joseph Johann Kauffmann (1707–1782), died; he was her first teacher of painting, and she had worked and travelled with him through Switzerland, Austria and Italy.

More by Angelica Kauffmann

All works

From the collection of Herzog Anton Ulrich Museum

Museum page

On the same theme · Die Geschichte von Juno (Hera)

All works on the theme

What it shows

Die Geschichte von Juno (Hera)JunoPfauPostament

In the catalog

PrintsNeoclassicism18th century

Sources

  • Herzog Anton Ulrich Museum
  • Image: Herzog Anton Ulrich Museum — CC BY-NC-SA 4.0
Parting of Abelard and Heloise, Angelica Kauffmann, 18th century

Parting of Abelard and Heloise

18th century · State Hermitage Museum

The Temptation of Eros, Angelica Kauffmann, 1750–75

The Temptation of Eros

1750–75 · The Metropolitan Museum of Art

The Victory of Eros, Angelica Kauffmann, 1750–75

The Victory of Eros

1750–75 · The Metropolitan Museum of Art

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851), Angelica Kauffmann, ca. 1776

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

ca. 1776 · The Metropolitan Museum of Art

Telemachus and the Nymphs of Calypso, Angelica Kauffmann, 1782

Telemachus and the Nymphs of Calypso

1782 · The Metropolitan Museum of Art

The Sorrow of Telemachus, Angelica Kauffmann, 1783

The Sorrow of Telemachus

1783 · The Metropolitan Museum of Art

Monsignor Giuseppe Spina (1756–1828), Angelica Kauffmann, 1798

Monsignor Giuseppe Spina (1756–1828)

1798 · The Metropolitan Museum of Art

The Three Graces distressing Cupid, Angelica Kauffman, late 18th century

The Three Graces distressing Cupid

late 18th century · Victoria and Albert Museum

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771

Juno und Venus (Zierleiste), Wenceslaus Hollar, 1627–1677

Wenceslaus Hollar

Juno und Venus (Zierleiste), 1627–1677

Herzog Anton Ulrich Museum

Vier Götter beieinander sitzend, darunter Poseidon, Juno, 18th century

Vier Götter beieinander sitzend, darunter Poseidon, Juno, 18th century

Herzog Anton Ulrich Museum

[Jupiter und Juno befragen den wieder in einen Mann zurückverwandelten Teiresias; Tirésias jadis changé en femme, et redevenu homme, décide la question que les deux divinités l'avoient chargé de résoudre; Jupiter and Juno Consulting Teiresias; Ovid, Metamorphosen III, 332-338], Hendrick - Werkstatt Goltzius, 1590–1595

Hendrick - Werkstatt Goltzius

[Jupiter und Juno befragen den wieder in einen Mann zurückverwandelten Teiresias; Tirésias jadis changé en femme, et redevenu homme, décide la question que les deux divinités l'avoient chargé de résoudre; Jupiter and Juno Consulting Teiresias; Ovid, Metamorphosen III, 332-338], 1590–1595

Herzog Anton Ulrich Museum

[Junon, Cérès et Psyché; Juno, Ceres und Psyche], Marco Dente, 1515–1527

Marco Dente

[Junon, Cérès et Psyché; Juno, Ceres und Psyche], 1515–1527

Herzog Anton Ulrich Museum

Juno mit Geschöpfen der Luft, Johanna Sibylla Kraus, 1679

Johanna Sibilla Küsel

Juno mit Geschöpfen der Luft, 1679

Herzog Anton Ulrich Museum

Juno auf Wolken thronend, links von ihr bittende Kniende; Putten halten eine Vorhang über Juno, 18th century

Juno auf Wolken thronend, links von ihr bittende Kniende; Putten halten eine Vorhang über Juno, 18th century

Herzog Anton Ulrich Museum

[Titel], 1576–1615

[Titel], 1576–1615

Herzog Anton Ulrich Museum

Il pomo d'oro, 23. Bild: Himmel, Erde und Meer, Lodovico Ottavio Burnacini, 1667

Lodovico Ottavio Burnacini

Il pomo d'oro, 23. Bild: Himmel, Erde und Meer, 1667

Herzog Anton Ulrich Museum