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  1. Collection/
  2. National Portrait Gallery (Smithsonian)/
  3. John Pendleton Kennedy
John Pendleton Kennedy, Mathew B. Brady, c. 1860
Mathew B. Brady, portraitMathew B. BradyAmerican, 1823–1896

John Pendleton Kennedy

c. 1860 · Photograph

May one see it?

Unknown

NPG
National Portrait Gallery (Smithsonian)

Washington, D.C., United States

The owner is known; whether it is on view today is not.

In this state since
Oct 5, 2026
Source
The museum
On the mapMuseum page

Particulars

c. 1860
18231896
Accession number
S/NPG.78.212

What it shows

LegislatorsNeckwearArt implementsArts and CultureWritersMustachesDress accessoriesCarte-de-visite

In the catalog

PhotographsAlbumen printRealismImpressionism19th century

Sources

  • National Portrait Gallery (Smithsonian)
  • Image: National Portrait Gallery (Smithsonian) — National Portrait Gallery, Smithsonian Institution (CC0)

Meanwhile, in the life of Mathew B. Brady

The whole life
  1. 1850s

    His eyesight begins to fail

    In the 1850s Brady’s eyesight begins to deteriorate; this may in part explain why he later rarely visited the battlefields himself and why many images in his collection are thought to be the work of his assistants.

  2. 1861

    Lincoln permits him to photograph the war

    Taken with the idea of documenting the war itself, Brady first asks his old friend General Winfield Scott, and then President Lincoln, for permission to send his photographers to the battle sites; Lincoln agrees in 1861 on condition that Brady finances the project himself. Despite the dangers, the financial risk and his friends’ discouragement, he said he simply had to go.

  3. 1861

    Under fire at Bull Run

    His first popular photographs of the conflict are taken at the First Battle of Bull Run, where he gets so close to the action that he barely avoids capture; later he comes under direct fire at Petersburg and Fredericksburg.

  4. 1861

    Hires photographers with travelling darkrooms

    He employs Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche and seventeen other men, giving each a travelling darkroom. Brady himself generally resides in Washington, organizing his assistants and rarely visiting the battlefields, so many images in his collection are the work of his assistants.

  5. 1861

    Offers parents portraits of departing soldiers

    When the Civil War begins, sales of cartes de visite to departing soldiers rise briskly; in the New-York Daily Tribune Brady runs an advertisement warning parents that it may soon be too late to capture their sons’ likenesses.

  6. October 1862

    Exhibition “The Dead of Antietam”

    He opens, in his New York gallery, an exhibition of photographs of the Battle of Antietam; many of the images show corpses, a presentation new to America — the first time many Americans saw the realities of war in photographs rather than in artists’ impressions.

More by Mathew B. Brady

All works
Untitled, Mathew B. Brady, 1860-70

Untitled

1860-70 · Not on view · The Museum of Modern Art

Ernestine Souvenir, Mathew B. Brady, 1860-69

Ernestine Souvenir

1860-69 · Not on view · The Museum of Modern Art

Untitled, Mathew B. Brady, c. 1860

Untitled

c. 1860 · Not on view · The Museum of Modern Art

General Ulysses S. Grant, Mathew B. Brady, 1861-65

General Ulysses S. Grant

1861-65 · Not on view · The Museum of Modern Art

President Lincoln, Mathew B. Brady, c. 1862

President Lincoln

c. 1862 · Not on view · The Museum of Modern Art

Ruins of Richmond, Mathew B. Brady, 1863-65

Ruins of Richmond

1863-65 · Not on view · The Museum of Modern Art

Ruins of the Gallego Flour Mills, Richmond, Virginia, Mathew B. Brady (studio of), Alexander Gardner, 1865

Ruins of the Gallego Flour Mills, Richmond, Virginia

1865 · Not on view · The Museum of Modern Art

Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia, Mathew B. Brady, April 1865

Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia

April 1865 · Not on view · The Museum of Modern Art

Neighbors at National Portrait Gallery (Smithsonian)

Museum page
Robert F. Kennedy, Gardner Cox, 1968

Gardner Cox

Robert F. Kennedy, 1968

Babe Ruth, Paolo Garretto, 1929

Paolo Garretto

Babe Ruth, 1929

Alice Dunbar Nelson, Laura Wheeler Waring, 1927

Laura Wheeler Waring

Alice Dunbar Nelson, 1927

Pauline Morton Sabin, Philip Alexius de László, 1926

Philip Alexius de László

Pauline Morton Sabin, 1926

Adolph Ochs, Philip Alexius de László, 1926

Philip Alexius de László

Adolph Ochs, 1926

Samuel Gompers, Moses Wainer Dykaar, 1924

Moses Wainer Dykaar

Samuel Gompers, 1924

Alexander Graham Bell, Moses Wainer Dykaar, 1922

Moses Wainer Dykaar

Alexander Graham Bell, 1922

Lillian D. Wald, William Valentine Schevill, 1919

William Valentine Schevill

Lillian D. Wald, 1919

On the same theme · Legislators

All works on the theme
John F. Wilson, Otto J. Schneider

Otto J. Schneider

John F. Wilson

Smithsonian American Art Museum

The Georgia Delegation in Congress - Photographed by Brady, from Harper's Weekly, January 5, 1861, Winslow Homer, 1861

Winslow Homer

The Georgia Delegation in Congress - Photographed by Brady, from Harper's Weekly, January 5, 1861, 1861

Smithsonian American Art Museum

Grand National Whig Banner, "Onward", Nathaniel Currier

Nathaniel Currier

Grand National Whig Banner, "Onward"

Smithsonian American Art Museum

Washington--Chamber of Representatives, Isidore Laurent Deroy, n.d.

Isodore-Laurent Deroy

Washington--Chamber of Representatives, n.d.

Smithsonian American Art Museum

Henry Wilson, c. 1860-70

Henry Wilson, c. 1860-70

National Portrait Gallery (Smithsonian)

Samuel Norris and Joseph Mickle Fox, Auguste Edouart, 1843

Auguste Edouart

Samuel Norris and Joseph Mickle Fox, 1843

National Portrait Gallery (Smithsonian)

James Monroe, Goodman & Piggot, 1817

Goodman & Piggot

James Monroe, 1817

National Portrait Gallery (Smithsonian)

George M. Dallas, c. 1860-70

George M. Dallas, c. 1860-70

National Portrait Gallery (Smithsonian)