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Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

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  1. Collection/
  2. National Portrait Gallery (Smithsonian)/
  3. John Jay
John Jay, Gilbert Stuart, begun 1784; completed by 1818

John Jay

begun 1784; completed by 1818 · Painting

Particulars

begun 1784; completed by 1818
17551828
Accession number
NPG.74.46

Meanwhile, in the life of Gilbert Stuart

The whole life
  1. by 1782

    Fame after “The Skater”

    By 1782 Stuart had met with success, largely thanks to “The Skater”, a portrait of Sir William Grant and Stuart’s first full-length portrait. The picture belied the opinion that he could paint a face but not a figure; the prices for his work were exceeded only by those of Reynolds and Gainsborough (by other accounts, they surpassed them).

  2. c. September 1786

    Marries Charlotte Coates

    Charlotte Coates was thirteen years his junior. The couple had twelve children: five died by 1815 and two more in their youth.

  3. 1787

    Flees to Dublin

    Despite his many commissions, Stuart was habitually neglectful of money and in danger of being sent to debtors’ prison. In 1787 he fled to Dublin, where he painted and ran up debts with equal vigor.

  4. 1793

    Returns to the United States to paint Washington

    After 18 years in Britain and Ireland, leaving numerous unfinished paintings behind, Stuart returns with a plan to paint a portrait of Washington, have an engraver reproduce it and support his family from the sale of the engraving. Settling briefly in New York, he seeks commissions from influential people who could bring him to Washington’s attention.

  5. 1794

    Paints John Jay and gets a letter to Washington

    His portrait of the statesman John Jay brought Stuart a letter of introduction to Washington.

More by Gilbert Stuart

All works

In the same room · East Gallery 140, National Portrait Gallery (Smithsonian)

Museum page

On the same theme · Justice

All works on the theme
  • 1795

    Washington sits for Stuart

    Later that year Washington posed for him. Stuart painted him in a series of iconic portraits, each of which brought a demand for copies and kept him busy and highly paid for years.

  • Gilbert Stuart, portraitGilbert StuartAmerican, 1755–1828

    May one see it?

    Yes, receiving visitors

    NPG
    National Portrait Gallery (Smithsonian)

    Washington, D.C., United States

    RoomEast Gallery 140

    On public display.

    Checked
    2 days ago
    In this state since
    Oct 5, 2026
    Source
    The museum
    On the mapMuseum page

    What it shows

    JusticeLegislatorsBooks and readingArts and CultureLiteratureCongressmenWritersGovernment

    In the catalog

    PaintingsOilAmerican paintingNeoclassicism18th century

    Sources

    • National Portrait Gallery (Smithsonian)
    • Image: National Portrait Gallery (Smithsonian) — National Portrait Gallery, Smithsonian Institution (CC0)
    George Washington, Gilbert Stuart, begun 1795

    George Washington

    begun 1795 · The Metropolitan Museum of Art

    Portrait of James Ward, Gilbert Stuart, 1779

    Portrait of James Ward

    1779 · Minneapolis Institute of Art

    The Skater (Portrait of William Grant), Gilbert Stuart, 1782

    The Skater (Portrait of William Grant)

    1782 · National Gallery of Art

    Richard Yates, Gilbert Stuart, 1793/1794

    Richard Yates

    1793/1794 · National Gallery of Art

    Stephen Van Rensselaer III, Gilbert Stuart, 1793/1795

    Stephen Van Rensselaer III

    1793/1795 · National Gallery of Art

    Catherine Brass Yates (Mrs. Richard Yates), Gilbert Stuart, 1793/1794

    Catherine Brass Yates (Mrs. Richard Yates)

    1793/1794 · National Gallery of Art

    John Jay, Gilbert Stuart, 1794

    John Jay

    1794 · National Gallery of Art

    Captain Joseph Anthony, Gilbert Stuart, 1794

    Captain Joseph Anthony

    1794 · National Gallery of Art

    Carl Schurz, Daniel Huntington, 1899

    Daniel Huntington

    Carl Schurz, 1899

    Bessie Potter Vonnoh, Robert William Vonnoh, 1895

    Robert William Vonnoh

    Bessie Potter Vonnoh, 1895

    H. H. Richardson, Hubert Von Herkomer, 1886

    Hubert von Herkomer

    H. H. Richardson, 1886

    Francis Davis Millet, George Willoughby Maynard, 1878

    George Willoughby Maynard

    Francis Davis Millet, 1878

    Harriet Goodhue Hosmer, Sir William Boxall, 1857

    Sir William Boxall

    Harriet Goodhue Hosmer, 1857

    Alexander Hamilton, John Trumbull, 1806

    John Trumbull

    Alexander Hamilton, 1806

    Margaret Todd Whetten, Unidentified Artist, c. 1800

    Unidentified Artist

    Margaret Todd Whetten, c. 1800

    Benjamin Franklin, Joseph Siffred Duplessis, c. 1785

    Joseph-Siffred Duplessis

    Benjamin Franklin, c. 1785

    Vrouw kijkt naar de personificatie van Gerechtigheid, William Blake, 1796

    William Blake

    Vrouw kijkt naar de personificatie van Gerechtigheid, 1796

    Rijksmuseum

    Le Défenseur (Counsel for the Defense), Honoré Daumier, c. 1862/1865

    Honoré Daumier

    Le Défenseur (Counsel for the Defense), c. 1862/1865

    Not on view · National Gallery of Art

    Ontwerp voor een titelblad met Pax en Justitia, Giovanni Battista Tiepolo, 1706 - before 1732

    Giovanni Battista Tiepolo

    Ontwerp voor een titelblad met Pax en Justitia, 1706 - before 1732

    Rijksmuseum

    Maria en Christus, Rechtvaardigheid en Geloof, anonymous, 1607

    anonymous

    Maria en Christus, Rechtvaardigheid en Geloof, 1607

    Rijksmuseum

    Arbitrage in de zaak van Jacques de Boer contra "het Nederlandsch Tooneel", anonymous, 1894-10-28

    anonymous

    Arbitrage in de zaak van Jacques de Boer contra "het Nederlandsch Tooneel", 1894-10-28

    Rijksmuseum

    Allegorische voorstelling met vrijheidshoed, Hercules, Geloof en Rechtvaardigheid, anonymous, 1730

    anonymous

    Allegorische voorstelling met vrijheidshoed, Hercules, Geloof en Rechtvaardigheid, 1730

    Rijksmuseum

    De rechtvaardigheid, anonymous, 1520 - 1560

    anonymous

    De rechtvaardigheid, 1520 - 1560

    Rijksmuseum

    Voor- en achterzijden van drie penningen met daarop stadswapens, portretten, een personificatie en allegorie, anonymous, 1726

    anonymous

    Voor- en achterzijden van drie penningen met daarop stadswapens, portretten, een personificatie en allegorie, 1726

    Rijksmuseum