Jean-François Millet, Nadar, 1856-58
Félix Nadar, portraitFélix NadarFrench, 1820–1910

Jean-François Millet

1856-58 · Photograph

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Not on view at present

Where is “Jean-François Millet” now? Collection: The Museum of Modern Art, New York. Not on view at present. Checked September 22, 2026.

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

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Source
The museum

Details

Accession number
545.2009

In the catalog

Sources

In the life of Félix Nadar

The whole life
  1. 1854

    A portrait studio at 113 rue Saint-Lazare

    In 1854 a friend encouraged him to begin a portrait photography business; busy with caricature, Nadar yielded operations to his younger brother Adrien, who soon ran into debt, while Nadar took portraits at his own studio at 113 rue Saint-Lazare. Tensions between the brothers led to legal disputes over the right to use the name “Nadar”.

  2. 11 August 1854

    Married: Ernestine Nadar

  3. 1855

    Gold medal at the Exposition Universelle for the Pierrot series

    The “Expressions of Pierrot” series was shown at the Exposition Universelle in Paris in 1855, where it won a gold medal.

  4. 8 February 1856

    Son born: Paul Nadar

  5. 1858

    The world’s first aerial photographs

    He became the first person to take aerial photographs, using the wet-plate collodion process: the plates had to be prepared and developed in the basket while aloft, and escaping gas ruined the images until Nadar invented a gas-proof cotton cover for his baskets. He also pioneered the use of artificial light in photography, working underground in the catacombs of Paris.

  6. 1860

    A studio at 35 Boulevard des Capucines

    In 1860 Nadar moved to 35 Boulevard des Capucines, where he photographed politicians (Guizot, Proudhon), stage actors (Sarah Bernhardt, Paulus), writers (Hugo, Baudelaire, Sand, Nerval, Gautier, Dumas), painters (Corot, Delacroix, Millet) and musicians (Liszt, Rossini, Offenbach, Verdi, Berlioz). In the studio he eschewed traditional sumptuous decors and unnecessary accessories and preferred natural daylight.

All works

On view at The Museum of Modern Art

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