![In the Omnibus [verso], Mary Cassatt, 1890-1891](https://api.nga.gov/iiif/23032044-faa1-4f2b-af80-6dfdd6be3808/full/!1600,1600/0/default.jpg)
Mary CassattAmerican, 1844–1926In the Omnibus [verso]
May one see it?
Not receiving at present
National Gallery of Art
Washington, D.C., United States
It belongs to the collection, but is not on display at present.
- Checked
- 5 hours ago
- In this state since
- Sep 29, 2026
- Source
- The museum's own collection data
Particulars
- Accession number
- 1948.11.51.b
What it shows
In the catalog
Sources
- National Gallery of Art: the museum's own open data · fetched 4 days ago
- Image: National Gallery of Art — Museum open access
Meanwhile, in the life of Mary Cassatt
The whole life1890s
Mentor to young Americans
The 1890s are the busiest and most creative period of Mary’s life: young American artists seek her advice and support, and she introduces Lucy A. Bacon to Camille Pissarro.
1891
Bertha Palmer commissions a mural
Chicago socialite Bertha Palmer asks Mary to paint a 12 × 58 ft mural on “Modern Woman” for the Women’s Building at the World’s Columbian Exposition of 1893. Palmer thought Cassatt an American treasure and could think of no one better.
1891
Colour prints inspired by Japanese woodcuts
Mary exhibits a series of highly original colour drypoints and aquatints, among them “Woman Bathing” and “The Coiffure”, inspired by the Japanese masters shown in Paris the year before. She was drawn to the simplicity and clarity of Japanese design and its skilful use of blocks of colour.
![Scenes from the Passion of Christ: The Descent into Limbo [right panel], Andrea Vanni, 1380s](https://api.nga.gov/iiif/4205a539-eadd-4486-89a7-3cff9c1ba428/full/!2400,2400/0/default.jpg)
