William HogarthEnglish, 1697–1764Hudibras Sallying Forth, plate two from Hudibras
Can I see it?
Not on view at present
Where is “Hudibras Sallying Forth, plate two from Hudibras” now? Collection: Art Institute of Chicago, Chicago. Not on view at present. Checked September 29, 2026.
Chicago, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
About the work
William Hogarth illustrated the story of a sad-sack adventurer named Hudibras in twelve engravings. His source was Samuel Butler’s satirical, mock-heroic poem written in the vein of Cervantes and Rabelais. Ridiculing the puritan party’s attempts to overthrow the British monarchy during the Great Civil War of 1640, Butler’s poem exposes the hypocrisy and pretensions of the Presbyterians, Independents, and Zealots who hoped to establish themselves as leaders.
Hudibras’ grand departure into the world appears to be neither impressive, nor particularly noble, from the point of view of the frightened fruit seller at the lower right of this print. Accompanied, Don Quixote-like, by a single squire, the paunchy ruffian is hardly a grand knight sallying forth. He barely seems to be aware of where he is going, and appears unable to stay upright on his overtaxed horse.
Art Institute of ChicagoCC BY 4.0
Details
- Accession number
- 2005.136.2
In the catalog
Sources
- Art Institute of Chicago
- Image: Art Institute of Chicago — CC0
In the life of William Hogarth
The whole life1712–1764 · Workplace
London
1724
Meeting fifteen-year-old Jane Thornhill
In 1724 Hogarth met Thornhill’s daughter Jane, then fifteen; five years later they would marry in secret.
from November 1724
Sir James Thornhill’s school
Shortly after it opened, in November 1724, Hogarth enrolled in a drawing school in Covent Garden run by Sir James Thornhill, serjeant painter to George I; he later claimed that even as an apprentice he carried in his head Thornhill’s paintings for St Paul’s Cathedral and Greenwich Hospital. He abandoned the earlier academy.
1727 – 28 May 1728
A lawsuit against the weaver Morris: “an engraver, and no painter”
In 1727 the tapestry worker Joshua Morris commissioned from Hogarth a design for “The Element of Earth”, but on hearing that he was “an engraver, and no painter” refused the finished work. Hogarth sued him in the Westminster court and won: judgment was given in his favour on 28 May 1728.
