Utagawa KunisadaJapanese, 1786–1865Hoofdstuk 34
Can I see it?
Unknown
Where is “Hoofdstuk 34” now? Collection: Rijksmuseum, Amsterdam. Unknown.
Amsterdam, Netherlands
The owner is known; whether it is on view today is not.
- Source
- The museum
About the work
Museum text in Dutch
Drie vrouwen in een kamer op de eerste verdieping, kijkend naar man te paard rijdend langs een stenen muur. Voorstelling omsloten door bruine rand waarin Genji emblemen.
Rijksmuseum
Details
- Accession number
- RP-P-1902-A-22845
What it shows
In the catalog
Sources
- Rijksmuseum
- Image: Rijksmuseum — public domain
In the life of Utagawa Kunisada
The whole life1820–1860
Dominance in Sumo Wrestler Portraits
From 1820 to 1860 he dominated the market for printed portraits of sumo wrestlers.
1835–1850
Monopoly on Prints Based on "The Tale of Genji"
From 1835 to 1850 he held a near-total monopoly on the genre of prints connected with "The Tale of Genji"; only after 1850 did other artists begin producing similar sheets.
mid-1840s – early 1850s
Collaboration with Hiroshige and Kuniyoshi
From the mid-1840s to the early 1850s he collaborated with Hiroshige and Kuniyoshi on three large series and a number of smaller projects; the cooperation was in large part a show of solidarity against the tightened censorship of the Tenpō reforms.
![[Christus und die Samariterin; Christ and the Woman of Samaria. An Arched Print; La Samaritaine], Rembrandt, 1657](https://diglib.hab.de/varia/haum/rembrandt-v3-4560/max/000001.jpg)
![[Die kleine Löwenjagd mit zwei Löwen; The Small Lion Hunt with Two Lions; Chasse aux lions], Rembrandt, 1629](https://diglib.hab.de/varia/haum/rembrandt-v3-4599/max/000001.jpg)
