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  3. Hispania
Hispania, Hans von Aachen, 1580–1608
Hans von Aachen, portraitHans von AachenGerman, 1552–1615

Hispania

1580–1608 · Print

May one see it?

Unknown

Herzog Anton Ulrich Museum

Braunschweig, Germany

The owner is known; whether it is on view today is not.

In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

1580–1608
15521615

Meanwhile, in the life of Hans von Aachen

The whole life
  1. 1587

    Return to Germany

    After long years in Italy he returns to his homeland, first to Augsburg, where he paints portraits for the wealthy Fugger family; he also works in Munich, where he is commissioned to paint two altarpieces for the church of St Michael (other accounts date his return to about 1588).

  2. 1589

    Chooses Munich as his residence

    After visiting his native Cologne and making another trip to Venice, he chooses Munich as his residence and paints several works for Duke William V of Bavaria. Under the influence of the strictly Catholic court he develops an iconography strongly shaped by Counter-Reformation ideas.

  3. 1594

    Raised to the nobility

    Emperor Rudolf II, who had appointed him court painter two years earlier, raises the artist to the nobility.

  4. 1596

    Move to Prague

    Having married Regina, daughter of the court composer Orlando di Lasso, in Munich, he moves with her to Prague, where he stays for the rest of his life (other accounts date the move to 1597 or even 1601); the family had five children. He had been court painter since 1592 but was not obliged to live at court and had previously worked from Munich.

  5. 1596–1615 · Workplace

    Prague

  6. 1603–1605

More by Hans von Aachen

All works

From the collection of Herzog Anton Ulrich Museum

Museum page

On the same theme · Allegory

All works on the theme

Court visits: portraits of the emperor's prospective brides

He travels to Innsbruck, Venice, Turin, Mantua and Modena, partly to portray potential future consorts of the emperor; under this pretext he was also to learn the terms of a marriage and the likely dowry.

What it shows

AllegoryLandDie Geschichte des Mars (Ares)Banner, Standarte (als Staatssymbol, etc.)Insignien eines Ritterordens, z.B. Abzeichen, Kette (mit NAMEN des Ordens)Pfau (Attribute der Juno)Geographische Bezeichnungen von Ländern, Regionen, Bergen, Flüssen, etc. (ausgenommen Städte und Dörfer) (SPAIN)Abstrakte Ideen und Konzeptionen (+ allegorische Szene (zwei oder mehr Personifikationen sind in eine Handlung involviert))

In the catalog

PrintsRenaissance16th century

Sources

  • Herzog Anton Ulrich Museum
  • Image: Herzog Anton Ulrich Museum — CC BY-NC-SA 4.0
Venus and Adonis, Hans von Aachen, c. 1574-1588

Venus and Adonis

c. 1574-1588 · Harvard Art Museums

Judith and Holofernes, Hans von Aachen

Judith and Holofernes

Not on view · National Gallery of Art

Venus te midden van kunsten en wetenschap, Hans von Aachen, 1562 - 1615

Venus te midden van kunsten en wetenschap

1562 - 1615 · Rijksmuseum

Allegorische voorstelling, Hans von Aachen, 1562 - 1616

Allegorische voorstelling

1562 - 1616 · Rijksmuseum

The Holy Family, Hans von Aachen, 16th century

The Holy Family

16th century · Not on view · State Hermitage Museum

Portrait of Emperor Rudolf II Hapsburg, Hans von Aachen, 17th century

Portrait of Emperor Rudolf II Hapsburg

17th century · Not on view · State Hermitage Museum

Die Heilige Familie auf der Flucht nach Ägypten, Hans von Aachen

Die Heilige Familie auf der Flucht nach Ägypten

Kupferstich-Kabinett Dresden

Judith mit dem Haupt des Holofernes, Hans von Aachen

Judith mit dem Haupt des Holofernes

Kupferstich-Kabinett Dresden

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771

Blind Minotaur Led by Marie-Thérèse with a Dove in a Starry Night (Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée), Pablo Picasso, 1934

Pablo Picasso

Blind Minotaur Led by Marie-Thérèse with a Dove in a Starry Night (Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée), 1934

Not on view · National Gallery of Art

Blind Minotaur Led by Marie-Thérèse with a Dove in a Starry Night (Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée), Pablo Picasso, 1934

Pablo Picasso

Blind Minotaur Led by Marie-Thérèse with a Dove in a Starry Night (Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée), 1934

Not on view · National Gallery of Art

Blind Minotaur Led by Marie-Thérèse with a Dove in a Starry Night (Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée), Pablo Picasso, 1934

Pablo Picasso

Blind Minotaur Led by Marie-Thérèse with a Dove in a Starry Night (Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée), 1934

Not on view · National Gallery of Art

Blind Minotaur Led by Marie-Thérèse with a Dove in a Starry Night (Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée), Pablo Picasso, 1934

Pablo Picasso

Blind Minotaur Led by Marie-Thérèse with a Dove in a Starry Night (Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée), 1934

Not on view · National Gallery of Art

[Das Schiff des Glücks; The Ship of Fortune; La fortune contraire], Rembrandt, 1633

Rembrandt van Rijn

[Das Schiff des Glücks; The Ship of Fortune; La fortune contraire], 1633

Herzog Anton Ulrich Museum

[Das Schiff des Glücks; The Ship of Fortune; La fortune contraire], Rembrandt, 1633

Rembrandt van Rijn

[Das Schiff des Glücks; The Ship of Fortune; La fortune contraire], 1633

Herzog Anton Ulrich Museum

Diorama Exhibition Poster, Edvard Munch, 1910

Edvard Munch

Diorama Exhibition Poster, 1910

Not on view · National Gallery of Art

Woman Holding a Balance, Johannes Vermeer, c. 1664

Johannes Vermeer

Woman Holding a Balance, c. 1664

National Gallery of Art