ART WIKI33,040 on view
MapCollectionArtistsMuseumsExhibitionsJournal
Sign in

ART WIKI

Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

Sections

  • Map
  • Search
  • Collection
  • Masterpieces
  • On view now
  • Artists

More

  • Museums & galleries
  • Exhibitions
  • Journal
  • Where the data comes from
  • Privacy & cookies
HomeMapBrowse
  1. Collection/
  2. Smithsonian American Art Museum/
  3. Hemlock Pool
Hemlock Pool, John Henry Twachtman, ca. 1890-1900

Hemlock Pool

ca. 1890-1900 · Painting · 56.5 × 76.7 cm

About the painting

John Twachtman painted this scene in all different seasons. He drew inspiration from his seventeen acres of land in Greenwich, Connecticut, and his paintings of the property express the emotional and spiritual comfort he found there. This image, likely made in autumn, shows a pond located behind his house at the bottom of a steep incline along the Horseneck Brook. Twachtman created many images of streams and brooks, and these ceaselessly moving bodies of water might have held a deeper significance for him. By the time Twachtman painted his Connecticut landscapes, American artists and intellectuals had been interested in Buddhism for more than two decades, and the artist himself had studied Zen philosophy and Japanese art. (Pyne, "John Twachtman and the Therapeutic Landscape," in Chotner et al., John Twachtman: Connecticut Landscapes, 1989) This may account for the meditative quality of his pictures, the sense of looking not at an actual landscape, but at an inward image of something seen long before.

Smithsonian American Art Museum

Particulars

ca. 1890-1900

More by John Henry Twachtman

All works

In the same room · Luce Foundation Center, 4th Floor, 30A, Smithsonian American Art Museum

Museum page

On the same theme · Water

All works on the theme
1853
1902
Accession number
1929.6.140

Sources

  • Smithsonian American Art Museum
  • Image: Smithsonian American Art Museum — CC0
John Henry Twachtman, portraitJohn Henry TwachtmanAmerican, 1853–1902

May one see it?

Yes, receiving visitors

Smithsonian American Art Museum

Washington, D.C., United States

RoomLuce Foundation Center, 4th Floor, 30A

On public display.

Checked
13 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page
Arques-la-Bataille, John Henry Twachtman, 1885

Arques-la-Bataille

1885 · The Metropolitan Museum of Art

Landscape, John Henry Twachtman, c. 1887-1888

Landscape

c. 1887-1888 · Harvard Art Museums

Figure in Sunlight (Artist's Wife), John Henry Twachtman, ca. 1890-1900

Figure in Sunlight (Artist's Wife)

ca. 1890-1900 · Smithsonian American Art Museum

Autumn Avondale, John Henry Twachtman, c. 1879-1882

Autumn Avondale

c. 1879-1882 · Not on view · National Gallery of Art

Winter, Avondale, John Henry Twachtman, c. 1879

Winter, Avondale

c. 1879 · Not on view · National Gallery of Art

The Harbor, Bridgeport, John Henry Twachtman, 1885/1921

The Harbor, Bridgeport

1885/1921 · Not on view · National Gallery of Art

Winter Harmony, John Henry Twachtman, c. 1890/1900

Winter Harmony

c. 1890/1900 · Not on view · National Gallery of Art

The White Bridge, John Henry Twachtman, c. 1895

The White Bridge

c. 1895 · Not on view · Minneapolis Institute of Art

Spring, Navesink Highlands, Childe Hassam, 1908

Childe Hassam

Spring, Navesink Highlands, 1908

Indian Summer, J. Francis Murphy, 1903

John Francis Murphy

Indian Summer, 1903

(Landscape), J. Alden Weir, after 1900

Julian Alden Weir

(Landscape), after 1900

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

Art Institute of Chicago

The Bath (Le bain), Pablo Picasso, 1905, published 1913

Pablo Picasso

The Bath (Le bain), 1905, published 1913

Not on view · National Gallery of Art

The Frog (Les Grenouilles), Pablo Picasso, 1936

Pablo Picasso

The Frog (Les Grenouilles), 1936

Not on view · National Gallery of Art

Blinded Minotaur Led by a Girl II (Minotaur aveugle guide par une fillette II), Pablo Picasso, 1934

Pablo Picasso

Blinded Minotaur Led by a Girl II (Minotaur aveugle guide par une fillette II), 1934

Not on view · National Gallery of Art

The Surprised Bathers (Les baigneuses surprises), Pablo Picasso, 1933

Pablo Picasso

The Surprised Bathers (Les baigneuses surprises), 1933

Not on view · National Gallery of Art

The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], Pablo Picasso, 1905, published 1913

Pablo Picasso

The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], 1905, published 1913

Not on view · National Gallery of Art

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)", Katsushika Hokusai, 1830/33

Katsushika Hokusai

The Great Wave off Kanagawa, 1830/33

Not on view · Art Institute of Chicago

Raphael's Dream, Marcantonio Raimondi possibly after Raphael, c. 1508/1509

Raphael

Raphael's Dream, c. 1508/1509

Not on view · National Gallery of Art

What it shows

WaterLandscapeGreenwich

In the catalog

PaintingsOilAmerican paintingImpressionism19th century