Head of Horus, mid 7th-late 1st century BCE

Head of Horus

mid 7th-late 1st century BCE · Sculpture

Can I see it?

Not on view at present

Where is “Head of Horus” now? Collection: Harvard Art Museums, Cambridge. Not on view at present. Checked September 29, 2026.

Harvard Art Museums

Cambridge, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the sculpture

This falcon’s head, with its characteristic feathered eye and moustachial stripes, would have belonged to a larger piece, perhaps as the top to a container, part of a censor, or a bark attachment. The remnants of an attachment element extend horizontally from the back. A large sun disc and tall uraeus with trailing tail surmount a heavy wig bearing vertically incised striations. The appearance of the disc connects the bird with the sun god. The disc may display the imprint of cloth, indicating that the figure had been wrapped and buried as a votive dedication or cultically discarded.

Read on

The soaring flight and predatory character of the falcon linked the mighty raptor to the god of the living king, Horus, early in the pharaonic tradition. The living king of Egypt was identified as an earthly Horus, and from the late Predynastic Period (c. 3100 BCE), the king bore a special royal “Horus name.” The falcon, as the sacred animal of Horus, came to symbolize divine kingship, as the king was the earthly representation of Horus. The common appearance of the Double Crown and uraeus on bronze figurines of falcons reinforces this royal connection. The falcon was also associated with the sky, with its eyes representing the sun and the moon and its large wings outspread to protect the earth below. Later, the falcon became associated with the sun god Re, bearing a sun disc on its head (known as Re-Harakhty). Other gods also had falcons as their sacred animals, such as Montu the god of war, who is distinguished by a double-plume headdress.

As with so many animals associated with the divine realm, during the later periods the falcon became the focus of mummification, burial, and votive offerings. The numerous bronze falcon statuettes are characterized by their upright, yet resting, stance with wings folded at the side. They range in size from small ornaments to large, freestanding figures. Many of the larger examples, such as 1943.1118, were hollow-cast with an inner compartment in which an actual bird could be deposited. Hundreds of thousands of mummified falcons were buried in extensive catacombs at sacred sites throughout Egypt. The Greco-Roman period temples at Philae and Edfu represent the final flourishing of the cult. The more elaborately decorated figures include engraved and inlaid detailing of the feathers and facial markings.

The facial patterning, seen on 1943.1118, 1957.165, and 1957.166, follows the conventions established early on with the feathered eye and moustachial stripe. Although the representation of falcons remained constant throughout Egyptian history, it is not zoologically accurate and cannot be identified with any particular species (1).

NOTES:

1. See discussion of the falcon in Egyptian art and Egypt in P. F. Houlihan, The Birds of Ancient Egypt, The Natural History of Egypt 1 (Warminster, 1986) 46-48. See also R. Bailleul-LeSuer, ed., Between Heaven and Earth: Birds in Ancient Egypt, exh. cat., Oriental Institute of the University of Chicago (Chicago, 2012) 178-88, which includes discussion of modern scientific analysis of mummified bird remains from Egypt.

Marian Feldman

Harvard Art Museums

Details

Accession number
1957.166

In the catalog

Sources

On view at Harvard Art Museums

Museum page