
Harwich: the seashore and lighthouse
May one see it?
Not receiving at present
London, United Kingdom
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
About the work
This atmospheric drawing of the misty, windswept seashore at Harwich was the sketch for the oil painting Harwich: Sea and Lighthouse which Constable probably exhibited at the Royal Academy in 1820 (now in Tate Britain). However, there has been some debate about when exactly he made the sketch. Constable's handwriting was difficult to read and his spelling idiosyncratic. While the inscription on the lower right was once thought to read '1815', the last figure in the date is now illegible.
Victoria and Albert Museum
Particulars
- Accession number
- 302-1888
What it shows
In the catalog
Sources
- Victoria and Albert Museum
- Image: Victoria and Albert Museum — © Victoria and Albert Museum, London
Meanwhile, in the life of John Constable
The whole life1816
A marriage against the bride’s grandfather
Maria’s grandfather, Dr Rhudde, rector of East Bergholt, opposed the match: he thought the Constables his social inferiors and threatened to disinherit her. Constable’s parents approved but offered no support until he was financially secure; they died soon afterwards, and he inherited a fifth share of the family business.
October 1816
A honeymoon by the sea
After the wedding at St Martin-in-the-Fields, conducted by Fisher, the couple stayed at Fisher’s vicarage and toured the south coast. The sea at Weymouth and Brighton pushed Constable towards brilliant colour and lively brushwork.
2 October 1816
Married: Maria Bicknell




















