Hands Holding a Void, Alberto Giacometti, 1934
Alberto Giacometti, portraitAlberto GiacomettiSwiss, 1901–1966

Hands Holding a Void

1934 · Print

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

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Source
The museum

Particulars

Accession number
328.1948

In the catalog

Sources

Meanwhile, in the life of Alberto Giacometti

The whole life
  1. 1932

    First solo exhibition

    Giacometti’s first solo exhibition took place in 1932, five years after his works were shown at the Salon des Tuileries.

  2. 1935

    The end of his Surrealist period

    In 1935 the artist turned his back on Surrealism and disowned all his works from that period, calling them “a complete dead end” (by other accounts, he was expelled from the group).

  3. 1935–1940

    A two-week study stretches over five years

    Wanting to return to compositions with figures, Giacometti took a model in 1935, expecting to finish in two weeks, but worked with the model all day until 1940. “Nothing was as I imagined,” he recalled; a head became for him an object completely unknown and without dimensions.

  4. 1936–1940

    The head and the sitter’s gaze

    In 1936–1940 Giacometti concentrated on the sculpted head, studying the sitter’s gaze; he preferred models he was close to — his sister and the artist Isabel Rawsthorne (then Isabel Delmer). Later his statues of Isabel became stretched out, her limbs elongated.

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