
Ilya RepinUkrainian, 1844–1930Голова крестьянина
Can I see it?
Unknown
Where is “Голова крестьянина” now? Collection: Novosibirsk State Art Museum, Novosibirsk. Unknown.
Novosibirsk, Russia
The owner is known; whether it is on view today is not.
- In this state since
- Source
- The museum
About the painting
Museum text in Russian
Работа этюдного характера. На травянисто-зеленом (с коричневым) фоне профильное погрудное изображение старика с высоким лбом, переходящим в лысину, обрамленную сзади и по бокам темно-русыми волосами. Глубоко посаженные глаза под изогнутыми бровями, нос с горбинкой, крючковатый. Пышные усы переходят в окладистую бороду. Одежда начата темно-коричневым. Лицо и волосы написаны оттенками охры и коричневого. Мазок свободный.
Novosibirsk State Art Museum
Details
- Accession number
- Ж 302
In the catalog
Sources
- The State Catalogue of the Museum Fund of Russia
- Image: Novosibirsk State Art Museum — © Новосибирский государственный художественный музей · Госкаталог музейного фонда РФ
In the life of Ilya Repin
The whole life1863–1871 · Education
Imperial Academy of Arts
1863–1871
Kramskoi — mentor — and the artists’ artel
Repin regarded Ivan Kramskoi as his direct mentor: he was at home in the artists’ artel Kramskoi founded, showed him his student sketches and listened to his advice. After Kramskoi’s death he wrote recollections in which he called him his teacher.
1863–1871
Friends at the Academy: Vasily Polenov and Mark Antokolsky
During eight years at the Academy Repin made many friends: at Vasily Polenov’s home he was always warmly received, and with the sculptor Mark Antokolsky, who had come from Vilna, he grew close in the way, Antokolsky later wrote, that only lonely people in a strange land can.
1869
Znakomstvo s Vladimirom Stasovym
Художественный критик на многие годы вошёл в «ближний круг» Репина.
summer 1870
Poyezdka na Volgu
С братом и художниками Фёдором Васильевым и Евгением Макаровым — этюды и типажи для «Бурлаков»; там встретил бурлака Канина, героя первой тройки.
1871
Pokhorovshchikov’s commission: a painting of composers
When Repin won the first gold medal and the right to a six-year trip abroad, word of him reached Moscow too: Alexander Pokhorovshchikov, owner of the Slavyansky Bazaar hotel, asked him to paint “A Gathering of Russian, Polish and Czech Composers” for 1,500 rubles — Konstantin Makovsky, approached earlier, had asked for 25,000. To Repin, long accustomed to want, the sum seemed enormous; Stasov gathered materials in the Public Library, and Nikolai Rubinstein, Eduard Nápravník, Mily Balakirev and Nikolai Rimsky-Korsakov sat for the picture.















