ART WIKI
Generator Project, White Oak, Florida, Computer Chip Containing Complete Generator Program, Cedric Price, 1978-80
Cedric PriceBritish, 1934–2003

Generator Project, White Oak, Florida, Computer Chip Containing Complete Generator Program

1978-80 · Architecture

Can I see it?

Not on view at present

Where is “Generator Project, White Oak, Florida, Computer Chip Containing Complete Generator Program” now? Collection: The Museum of Modern Art, New York. Not on view at present. Checked September 22, 2026.

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
Source
The museum
On the mapMuseum page

Details

Accession number
1258.2000

In the catalog

Contemporary art20th century

Sources

More by Cedric Price

All works
Fun Palace for Joan Littlewood Project, Stratford East, London, England (Perspective), Cedric Price, 1959–1961

Fun Palace for Joan Littlewood Project, Stratford East, London, England (Perspective)

1959–1961 · Not on view · The Museum of Modern Art

Fun Palace for Joan Littlewood Project, Stratford East, London, England (Aerial perspective from cockpit), Cedric Price, 1959–1961

Fun Palace for Joan Littlewood Project, Stratford East, London, England (Aerial perspective from cockpit)

1959–1961 · Not on view · The Museum of Modern Art

Fun Palace for Joan Littlewood Project, Stratford East, London, England (Storyboard for film and sketches), Cedric Price, 1959–1961

Fun Palace for Joan Littlewood Project, Stratford East, London, England (Storyboard for film and sketches)

1959–1961 · Not on view · The Museum of Modern Art

Fun Palace for Joan Littlewood Project, Stratford East, London, England (Perspective), Cedric Price, 1959–1961

Fun Palace for Joan Littlewood Project, Stratford East, London, England (Perspective)

1959–1961 · Not on view · The Museum of Modern Art

Fun Palace for Joan Littlewood Project, Stratford East, London, England (Perspective), Cedric Price, 1959–1961

Fun Palace for Joan Littlewood Project, Stratford East, London, England (Perspective)

1959–1961 · Not on view · The Museum of Modern Art

Potteries Thinkbelt Project, Staffordshire, England (Perspective of Battery, Sprawl, and Capsule Housing, Hanley Site), Cedric Price, 1964–1966

Potteries Thinkbelt Project, Staffordshire, England (Perspective of Battery, Sprawl, and Capsule Housing, Hanley Site)

1964–1966 · Not on view · The Museum of Modern Art

Potteries Thinkbelt Project, Staffordshire, England (Perspective of Pitts Hill, North Transfer Area), Cedric Price, 1964–1966

Potteries Thinkbelt Project, Staffordshire, England (Perspective of Pitts Hill, North Transfer Area)

1964–1966 · Not on view · The Museum of Modern Art

Potteries Thinkbelt Project, Staffordshire, England (Axonometric of Pitts Hill, Transfer Area), Cedric Price, 1964–1966

Potteries Thinkbelt Project, Staffordshire, England (Axonometric of Pitts Hill, Transfer Area)

1964–1966 · Not on view · The Museum of Modern Art

On view at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, 1889

Vincent van Gogh

The Starry Night, 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950