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Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

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  3. Gemaskerd bal
Gemaskerd bal, Jean Charles Flipart, 1712 - 1751

Gemaskerd bal

1712 - 1751 · Print

Particulars

1712 - 1751
16821751
Accession number
RP-P-1954-224

More by Jean Charles Flipart

All works

Neighbors at Rijksmuseum

Museum page

On the same theme · Venice

All works on the theme
JJean Charles FlipartFrench, 1682–1751

May one see it?

Unknown

Rijksmuseum

Amsterdam, Netherlands

The owner is known; whether it is on view today is not.

Source
The museum
On the mapMuseum page

What it shows

Masquerade, masked ballVenice

In the catalog

PrintsBaroque18th century

Sources

  • Rijksmuseum
  • Image: Rijksmuseum — public domain
Portret van René Choppin, Jean Charles Flipart, 1693 - 1723

Portret van René Choppin

1693 - 1723 · Rijksmuseum

Maria met Kind, Jean Charles Flipart, 1729 - 1742

Maria met Kind

1729 - 1742 · Rijksmuseum

Scène uit L'Illusion comique met figuren rond een tafel in de buitenlucht bij nacht, Jean Charles Flipart, 1764

Scène uit L'Illusion comique met figuren rond een tafel in de buitenlucht bij nacht

1764 · Rijksmuseum

Christ in the Garden of Olives, Jean Charles Flipart, 18th century

Christ in the Garden of Olives

18th century · Not on view · Harvard Art Museums

The Holy Virgin, Jean Charles Flipart, 18th century

The Holy Virgin

18th century · Not on view · Harvard Art Museums

The Pet Bird, Jean Charles Flipart, 18th century

The Pet Bird

18th century · Not on view · Harvard Art Museums

Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

The Night Watch, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of Maria Trip, 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

The Stone Bridge, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634

Jonge vrouw in gefantaseerde kleding, Rembrandt van Rijn, 1633

Rembrandt van Rijn

Jonge vrouw in gefantaseerde kleding, 1633

Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Piazza San Marco, Canaletto, late 1720s

Canaletto

Piazza San Marco, late 1720s

The Metropolitan Museum of Art

Venetiaanse pantoffelparade, Giovanni Battista Tiepolo, 1740 - 1760

Giovanni Battista Tiepolo

Venetiaanse pantoffelparade, 1740 - 1760

Rijksmuseum

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Not on view · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Not on view · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

Venice, from the Porch of Madonna della Salute, Joseph Mallord William Turner, ca. 1835

Joseph Mallord William Turner

Venice, from the Porch of Madonna della Salute, ca. 1835

The Metropolitan Museum of Art