Frontispiece, plate one from Hudibras, William Hogarth, February 1725/26
William Hogarth, portraitWilliam HogarthEnglish, 1697–1764

Frontispiece, plate one from Hudibras

February 1725/26 · Print

Can I see it?

Not on view at present

Where is “Frontispiece, plate one from Hudibras” now? Collection: Art Institute of Chicago, Chicago. Not on view at present. Checked September 29, 2026.

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the work

William Hogarth illustrated the story of a sad-sack adventurer named Hudibras in twelve engravings. His source was Samuel Butler’s satirical, mock-heroic poem written in the vein of Cervantes and Rabelais. Butler himself appears on a pedestal with mock-classical reliefs (showing Hudibras pulling a devil’s chariot) in the frontispiece to the series. Ridiculing the puritan party’s attempts to overthrow the British monarchy during the Great Civil War of 1640, Butler’s poem exposes the hypocrisy and pretensions of the Presbyterians, Independents, and Zealots who hoped to establish themselves as leaders.

Art Institute of ChicagoCC BY 4.0

Details

Accession number
2005.136.1

In the catalog

Sources

In the life of William Hogarth

The whole life
  1. 1712–1764 · Workplace

    London

  2. 1724

    Meeting fifteen-year-old Jane Thornhill

    In 1724 Hogarth met Thornhill’s daughter Jane, then fifteen; five years later they would marry in secret.

  3. from November 1724

    Sir James Thornhill’s school

    Shortly after it opened, in November 1724, Hogarth enrolled in a drawing school in Covent Garden run by Sir James Thornhill, serjeant painter to George I; he later claimed that even as an apprentice he carried in his head Thornhill’s paintings for St Paul’s Cathedral and Greenwich Hospital. He abandoned the earlier academy.

  4. 1727 – 28 May 1728

    A lawsuit against the weaver Morris: “an engraver, and no painter”

    In 1727 the tapestry worker Joshua Morris commissioned from Hogarth a design for “The Element of Earth”, but on hearing that he was “an engraver, and no painter” refused the finished work. Hogarth sued him in the Westminster court and won: judgment was given in his favour on 28 May 1728.

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