Joaquín SorollaSpanish, 1863–1923Florero
May one see it?
Unknown: the museum keeps its counsel
Sorolla Museum
Madrid, Spain
The owner is known. Whether it is on view today, the museum does not say, and we were not trained to guess.
- In this state since
- Source
- The museum's own collection data
About the work
In the museum's own words — in Spanish
A la derecha, un albarelo de cerámica, con decoración de cartela central, usado como jarrón para flores, algunas de las cuales lo cubren en la parte superior. Se ha indicado el elemento de mobiliario en el que está posado por una línea al fondo y el sombreado del último plano. En el reverso se ha copiado por contacto el dibujo con Nº Inv. 13363
Sorolla Museum
Particulars
What it shows
In the catalog
Sources
- Sorolla Museum: the museum's own open data · fetched 7 days ago
- Image: Sorolla Museum — In Copyright
Meanwhile, in the life of Joaquín Sorolla
The whole life1890
Moves to Madrid: large canvases for the salons
The family moved to Madrid. For the next decade Sorolla concentrated on large canvases of orientalist, mythological, historical and social subjects for salons and international exhibitions in Madrid, Paris, Venice, Munich, Berlin and Chicago.
8 November 1892
Son born: Joaquín Sorolla García
12 June 1895
Daughter born: Elena Sorolla García
1897
“A Research”: the Prize of Honour in Madrid
Two paintings linking art and science, “Portrait of Dr. Simarro at the Microscope” and “A Research”, won Sorolla the Prize of Honour at the National Exhibition of Fine Arts. He showed his friend Simarro in the laboratory, catching the contrast between the reddish-yellow light of a gas burner and the weak mauvish light from the window.
