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  3. Fittleworth Mill, Sussex
Fittleworth Mill, Sussex, John Constable, 23 September, 1834
John Constable, portraitJohn ConstableBritish, 1776–1837

Fittleworth Mill, Sussex

23 September, 1834 · Watercolour · 20.6 × 27.2 cm

May one see it?

Not receiving at present

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
12 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

Particulars

23 September, 1834 · aged 58
17761837
Accession number
215-1888

What it shows

Sussex

In the catalog

Drawings & watercolorsGraphiteRomanticism19th centuryBritish SchoolEngland

Sources

  • Victoria and Albert Museum
  • Image: Victoria and Albert Museum — © Victoria and Albert Museum, London

Meanwhile, in the life of John Constable

The whole life
  1. 1828–1837

    A widower with seven children

    For the rest of his life Constable dressed in black and brought up his seven children alone; according to Leslie he was “a prey to melancholy and anxious thoughts”. Several of the children also painted, notably Lionel.

  2. 1835

    A last lecture to the Academy’s students

    In 1835 Constable gave his last lecture to the students of the Royal Academy, praising Raphael and calling the Academy the “cradle of British art”; it was cheered most heartily.

  3. 1836

    Lectures at the Royal Institution: three theses

    In a series of lectures at the Royal Institution in 1836 Constable proposed three theses: landscape painting is scientific as well as poetic; imagination alone never can produce art that bears comparison with reality; and no great painter was ever self-taught.

More by John Constable

All works
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · The Metropolitan Museum of Art

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · National Gallery of Art

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · National Gallery of Art

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

first quarter of the 19th century (1818–1819) · Musée du Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · National Gallery of Art

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

first quarter of the 19th century (1820) · Musée du Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1823 · Musée du Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · The Metropolitan Museum of Art

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Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

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