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  1. Collection/
  2. Victoria and Albert Museum/
  3. Fishing boats at anchor
Fishing boats at anchor, John Constable, 9 November, 1822

Fishing boats at anchor

9 November, 1822 · Drawing · 18.5 × 22.4 cm

Particulars

9 November, 1822 · aged 46
17761837
Accession number
814-1888

Meanwhile, in the life of John Constable

The whole life
  1. 1821

    “The Hay Wain” at the Royal Academy

    The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.

  2. 1821

    “I should paint my own places best”

    In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.

  3. 1821

    Son born: Charles Golding Constable

  4. 1824

    The Paris Salon: a gold medal

    The Anglo-French dealer John Arrowsmith bought The Hay Wain and other works, and in 1824 they were shown at the Paris Salon, where they caused a sensation. The Hay Wain was awarded a gold medal by Charles X.

  5. 1824

    Delacroix repaints the background of “The Massacre at Chios”

    After seeing Constable’s pictures at Arrowsmith’s gallery, Delacroix repainted the background of his Massacre at Chios, saying the paintings had done him a great deal of good. In his journal he noted that Constable’s meadow greens are a combination of many different shades.

More by John Constable

All works

Neighbors at Victoria and Albert Museum

Museum page

On the same theme · Sailboats

All works on the theme

1824–1828

The family in Brighton for Maria’s health

When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.

John Constable, portraitJohn ConstableBritish, 1776–1837

May one see it?

Not receiving at present

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
12 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

What it shows

Sailboats

In the catalog

Drawings & watercolorsPen and inkNeoclassicismRomanticism19th centuryEngland

Sources

  • Victoria and Albert Museum
  • Image: Victoria and Albert Museum — © Victoria and Albert Museum, London
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · The Metropolitan Museum of Art

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · National Gallery of Art

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · National Gallery of Art

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

first quarter of the 19th century (1818–1819) · Musée du Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · National Gallery of Art

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

first quarter of the 19th century (1820) · Musée du Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1823 · Musée du Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · The Metropolitan Museum of Art

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Six's Bridge, Rembrandt van Rijn, 1645

Rembrandt van Rijn

Six's Bridge, 1645

Not on view · National Gallery of Art

The Cat Boat, Edward Hopper, 1922

Edward Hopper

The Cat Boat, 1922

Not on view · National Gallery of Art

Saint Tropez, Paul Signac, 1894

Paul Signac

Saint Tropez, 1894

Not on view · National Gallery of Art

St. Tropez: The Port (Saint-Tropez: Le port), Paul Signac, 1897/1898

Paul Signac

St. Tropez: The Port (Saint-Tropez: Le port), 1897/1898

Not on view · National Gallery of Art

Low Tide, Sailboats Run Aground, Eugène Boudin, 1885-1890

Eugène Boudin

Low Tide, Sailboats Run Aground, 1885-1890

Not on view · National Gallery of Art

Low Tide at Scheveningen, Eugène Boudin, 1875

Eugène Boudin

Low Tide at Scheveningen, 1875

Not on view · National Gallery of Art

Idle Fleet, Gustave Baumann, 1931

Gustave Baumann

Idle Fleet, 1931

Not on view · National Gallery of Art

Noonsun and Sails from By the Sea, Karl Schrag, 1965/1966

Karl Schrag

Noonsun and Sails from By the Sea, 1965/1966

Not on view · National Gallery of Art