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  3. Fig.1. Plán
Fig.1. Plán, Andrea Pozzo, 1700
Andrea Pozzo, portraitAndrea PozzoItalian, 1642–1709

Fig.1. Plán

1700 · Print

May one see it?

Unknown

Slovak National Gallery

Bratislava, Slovakia

The owner is known; whether it is on view today is not.

In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

1700 · aged 58
16421709

Meanwhile, in the life of Andrea Pozzo

The whole life
  1. 1693–1698

    Publishes the treatise “Perspectiva pictorum et architectorum”

    The two-volume treatise (1693 and 1698; other accounts date the second volume to 1700), illustrated with 118 engravings and dedicated to Emperor Leopold I, is one of the earliest manuals on perspective for artists and architects; it goes into many editions into the 19th century and is translated into numerous languages, including Chinese. For his ceiling paintings Pozzo, also a mathematician, geometer and astronomer, used projection lanterns of his own design.

  2. 1699

    Sends the Jesuits designs for Ragusa and Ljubljana

    From Rome Pozzo sends the Society of Jesus designs for the churches of Ragusa (now Dubrovnik) and Ljubljana; other accounts say that in 1699 he delivered the plans for the Jesuit Collegium Ragusinum, while the plans for Ljubljana Cathedral date from 1700.

  3. 1700–1702

    Designs the church of San Francesco Saverio in Trento

    The design for the church of S. Apollinare in Rome from Pozzo’s treatise is used for the Jesuit church of San Francesco Saverio in Trento; its interior is likewise designed by Pozzo.

  4. 1701–1702

    Designs the Jesuit churches in Montepulciano

    Pozzo designs the Jesuit churches of San Bernardo and Chiesa del Gesù in Montepulciano, but his plans for the latter are only partly realized.

  5. 1702–1704

    Moves to Vienna at the invitation of Emperor Leopold I

More by Andrea Pozzo

All works

From the collection of Slovak National Gallery

Museum page

On the same theme · Architektonický motív

All works on the theme

Recommended by Prince Liechtenstein, Pozzo moves to Vienna at the invitation of Leopold I. The dates differ: one account puts the move in 1702 (1703?), another has the emperor summon him in 1703 and Pozzo living in Vienna from 1704.

What it shows

Architektonický motív

In the catalog

PrintsBaroque18th century

Sources

  • Slovak National Gallery
  • Image: Slovak National Gallery — Public Domain Mark 1.0
Der hl. Franz Xaver tauft die Königin Neachile (Farbskizze), Andrea Pozzo

Der hl. Franz Xaver tauft die Königin Neachile (Farbskizze)

Kunstpalast

Kuppelentwurf mit der Darstellung der Dreifaltigkeit über perspektivischer Säulenarchitektur, Andrea Pozzo

Kuppelentwurf mit der Darstellung der Dreifaltigkeit über perspektivischer Säulenarchitektur

Albertina

Entwurf für eine Wanddekoration, Andrea Pozzo

Entwurf für eine Wanddekoration

Albertina

Illusionistic Architecture for the Vault of San Ignazio, Andrea Pozzo, 1685/1690

Illusionistic Architecture for the Vault of San Ignazio

1685/1690 · Not on view · National Gallery of Art

A Baldachin with a Painting of the Annunciation, Circle of Andrea Pozzo, c. 1708 or later

A Baldachin with a Painting of the Annunciation

c. 1708 or later · Not on view · National Gallery of Art

Sketch for an Altar of Saint Bartholomew, Andrea Pozzo, n.d.

Sketch for an Altar of Saint Bartholomew

n.d. · Not on view · Art Institute of Chicago

L'Ange gardien, Andrea Pozzo, 1685 vers,1690 et

L'Ange gardien

Musée des Beaux-Arts de Caen

Fig.77. - Oltár robený vo Verone, Andrea Pozzo, 1700

Fig.77. - Oltár robený vo Verone

1700 · Slovak National Gallery

Muž so zlatou helmou, Rembrandt, 20th century

Rembrandt van Rijn

Muž so zlatou helmou, 20th century

Krst eunucha (Sk 8, 26-39), Rembrandt, 1641

Rembrandt van Rijn

Krst eunucha (Sk 8, 26-39), 1641

Marc Agripe, Rembrandt, 1640–1660

Rembrandt van Rijn

Marc Agripe, 1640–1660

Ukameňovanie svätého Štefana (Sk 7, 55-60), Rembrandt, 1635

Rembrandt van Rijn

Ukameňovanie svätého Štefana (Sk 7, 55-60), 1635

Potulní muzikanti, Rembrandt, 1635–1650

Rembrandt van Rijn

Potulní muzikanti, 1635–1650

Ukrižovanie, Rembrandt, 1625–1645

Rembrandt van Rijn

Ukrižovanie, 1625–1645

Detail podobizne Viliama Burggraeffa, Rembrandt, 17th century

Rembrandt van Rijn

Detail podobizne Viliama Burggraeffa, 17th century

Pohľad na baziliku S. Croce in Gerusalemme v Ríme, Giovanni Battista Piranesi, 1765

Giovanni Battista Piranesi

Pohľad na baziliku S. Croce in Gerusalemme v Ríme, 1765

Fig.77. - Oltár robený vo Verone, Andrea Pozzo, 1700

Andrea Pozzo

Fig.77. - Oltár robený vo Verone, 1700

Slovak National Gallery

Pohľad na Diokletianove thermy, Johann Bernhard Fischer von Erlach, 1730

Johann Bernhard Fischer von Erlach

Pohľad na Diokletianove thermy, 1730

Slovak National Gallery

Pohľad na súkromné sídlo, Johann Bernhard Fischer von Erlach, 1730

Johann Bernhard Fischer von Erlach

Pohľad na súkromné sídlo, 1730

Slovak National Gallery

Pohľad na záhradnú budovu, Johann Bernhard Fischer von Erlach, 1730

Johann Bernhard Fischer von Erlach

Pohľad na záhradnú budovu, 1730

Slovak National Gallery

Fig.54. - Kupola iného tvaru, Andrea Pozzo, 1700

Andrea Pozzo

Fig.54. - Kupola iného tvaru, 1700

Slovak National Gallery

Fig.116. - Pevnosti šesťboké, Andrea Pozzo, 1700

Andrea Pozzo

Fig.116. - Pevnosti šesťboké, 1700

Slovak National Gallery

Figurálne štúdie 56., Ladislav Mednyánszky, 1890–1900

Ladislav Mednyánszky

Figurálne štúdie 56., 1890–1900

Slovak National Gallery

Náčrty architektúry, Ladislav Mednyánszky, 1880–1910

Ladislav Mednyánszky

Náčrty architektúry, 1880–1910

Slovak National Gallery