ART WIKI
Ex-General, José Guadalupe Posada, published 1947
José Guadalupe Posada, portraitJosé Guadalupe PosadaMexican, 1852–1913

Ex-General

published 1947 · Graphic Arts-Print · 7.9 × 7 cm

May one see it?

Unknown

Smithsonian American Art Museum

Washington, D.C., United States

The owner is known; whether it is on view today is not.

In this state since
Source
The museum
On the mapMuseum page

Particulars

Accession number
1971.439.93

What it shows

OccupationsFigure maleMilitary

In the catalog

PrintsWoodcutPost-war art20th century

Sources

More by José Guadalupe Posada

All works
Elegantly dressed male and female skeletons arm in arm (vignette for the feast of the dead), José Guadalupe Posada, ca. 1894

Elegantly dressed male and female skeletons arm in arm (vignette for the feast of the dead)

ca. 1894 · The Metropolitan Museum of Art

Ballad of The Bejarano (Corrido: La Bejarano), José Guadalupe Posada

Ballad of The Bejarano (Corrido: La Bejarano)

Not on view · The Museum of Modern Art

Cogida de Don Chapito Toréro, José Guadalupe Posada, n.d.

Cogida de Don Chapito Toréro

n.d. · Not on view · The Museum of Modern Art

Testing the Devil (El Testerazo del Devil) from 25 Prints of José Guadalupe Posada, José Guadalupe Posada, plate c. 1890-1910, published 1942

Testing the Devil (El Testerazo del Devil) from 25 Prints of José Guadalupe Posada

plate c. 1890-1910, published 1942 · Not on view · The Museum of Modern Art

Bullfighters (Los toreros [juguete]) from 25 Prints of José Guadalupe Posada, José Guadalupe Posada, plate c. 1890-1910, published 1942

Bullfighters (Los toreros [juguete]) from 25 Prints of José Guadalupe Posada

plate c. 1890-1910, published 1942 · Not on view · The Museum of Modern Art

Conversation of the Good Calaveras (Coloquio de buenas calaveras), José Guadalupe Posada

Conversation of the Good Calaveras (Coloquio de buenas calaveras)

Not on view · The Museum of Modern Art

How to Scare Ghosts (Por Finjir Espantos) from 25 Prints of José Guadalupe Posada, José Guadalupe Posada, plate c. 1890-1910, published 1942

How to Scare Ghosts (Por Finjir Espantos) from 25 Prints of José Guadalupe Posada

plate c. 1890-1910, published 1942 · Not on view · The Museum of Modern Art

A Revolutionary's Farewell to His Sad Lover (Despedida de un Maderista y su triste amada), José Guadalupe Posada

A Revolutionary's Farewell to His Sad Lover (Despedida de un Maderista y su triste amada)

Not on view · The Museum of Modern Art

Neighbors at Smithsonian American Art Museum

Museum page
Muskrat, Unidentified, before 1997

Unidentified

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Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

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San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

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San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

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Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

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Bright Light at Russell's Corners, George Ault, 1946

George Ault

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On the same theme · Occupations

All works on the theme
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Pierre Theunis

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Smithsonian American Art Museum

Shipping Coffee, Champerico, Guatemala, Eadweard Muybridge, 1875, published 1877

Eadweard Muybridge

Shipping Coffee, Champerico, Guatemala, 1875, published 1877

Smithsonian American Art Museum

(Study for "Labor"), Kenyon Cox, ca. 1870

Kenyon Cox

(Study for "Labor"), ca. 1870

Smithsonian American Art Museum

Head of the Artist, Alice Pike Barney, n.d.

Alice Pike Barney

Head of the Artist, n.d.

Smithsonian American Art Museum

A Passage from the Papers, Henry Wolf, 1887

Henry Wolf

A Passage from the Papers, 1887

Smithsonian American Art Museum

Max Weyl, William Henry Holmes, ca. 1875

William Henry Holmes

Max Weyl, ca. 1875

Smithsonian American Art Museum

Co-ee-há-jo, a Chief, George Catlin, 1838

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Smithsonian American Art Museum

Marie Antoinette, Unidentified, n.d.

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Smithsonian American Art Museum