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  1. Collection/
  2. Musée départemental de l'Oise/
  3. Etude d'homme (Titre d'usage)
Etude d'homme (Titre d'usage), Thomas Couture, 1852-1856
Thomas Couture, portraitThomas CoutureFrench, 1815–1879

Etude d'homme (Titre d'usage)

1852-1856 · Painting · 79.5 × 111.5 cm

About the painting

In the museum's own words — in French

Peinture à l'huile sur toile sur châssis. Cadre en bois mouluré doré à ornementaions moulées.

MDLMusée départemental de l'Oise

Particulars

1852-1856
18151879
Accession number
68.448

Meanwhile, in the life of Thomas Couture

The whole life
  1. late 1840s – 1850s

    Commissions for murals from the state and the Church

    His innovative technique draws much attention, and from the late 1840s through the 1850s Couture receives government and church commissions for murals. He never completed the first two, and the third met with mixed criticism.

  2. 1848–1852

    The commission for “The Enrolment of the Volunteers in 1792” is cancelled

    The commission for the picture “The Enrolment of the Volunteers in 1792” (1848–1852), intended for the hall of the National Assembly and on which Couture pinned great hopes of recognition, is cancelled after Louis-Napoleon comes to power.

  3. January 1850

    Manet becomes his pupil

    From January 1850 Couture teaches Édouard Manet for more than six years. In the end Manet broke with his teacher and with academism and became one of the founders of Impressionism.

  4. 1855

    The 1855 World’s Fair: “The Falconer” misses the top award

    At the 1855 World’s Fair Couture shows the picture “The Falconer”, but it does not win the highest award, which he regards as a major setback. As a result he renounces the first-class medal awarded to him for this picture and for “The Romans of the Decadence”.

  5. 1855

    A major quarrel with Manet over his new work

    In 1855 a major conflict breaks out between Couture and Manet over the young artist’s new work: Couture declares that if Manet claims to lead an art school, he should found it somewhere else. Their disagreements arose over other matters too: in the heat of one quarrel Manet packed his things and abandoned his studies, but returned at his father’s insistence.

More by Thomas Couture

All works
  • after 1858

    The final break with Manet over “The Absinthe Drinker”

    Manet invites Couture to his home, where Couture declares himself outraged by the “drunkard” and by the “vileness” the artist has created. The cause is Manet’s “The Absinthe Drinker” (1858–1859); after that, teacher and pupil never meet again.

  • May one see it?

    Unknown: the museum keeps its counsel

    MDL
    Musée départemental de l'Oise

    Beauvais, France

    The owner is known. Whether it is on view today, the museum does not say, and we were not trained to guess.

    In this state since
    Oct 5, 2026
    Source
    The museum's own collection data
    On the mapMuseum page

    What it shows

    Figure (homme : couché, nu, de face)

    In the catalog

    PaintingsOilFrench paintingRealism19th centuryFrance

    Sources

    • Musée départemental de l'Oise: the museum's own open data · fetched yesterday
    • Image: Musée départemental de l'Oise — © Réunion des musées nationaux-Grand Palais (MUDO - Musée de l'Oise) / Adrien Didierjean - Utilisation des photographies soumise à autorisation; Ministère de la Culture (France), base Joconde
    Jeune femme en buste, les épaules dénudées., Couture, Thomas, 2e tiers du XIXe siècle (1835 - 1879)

    Jeune femme en buste, les épaules dénudées.

    second third of the 19th century (1835–1879) · Musée du Louvre

    Marie Simonet, du village de Villemoyenne (Aisne)., Couture, Thomas, 2e quart du XIXe siècle (1836)

    Marie Simonet, du village de Villemoyenne (Aisne).

    second quarter of the 19th century (1836) · Musée du Louvre

    Adolphe Moreau (1827-1882), fils du collectionneur Adolphe Moreau et père du donateur des MuséesNationaux, Étienne Moreau-Nélaton., Couture, Thomas, 2e quart du XIXe siècle (1845)

    Adolphe Moreau (1827-1882), fils du collectionneur Adolphe Moreau et père du donateur des MuséesNationaux, Étienne Moreau-Nélaton.

    second quarter of the 19th century (1845) · Musée du Louvre

    Romans of the Decadence, Thomas Couture, 1847

    Romans of the Decadence

    1847 · Harvard Art Museums

    The Bird Catcher, Thomas Couture, c. 1857

    The Bird Catcher

    c. 1857 · Art Institute of Chicago

    The Romans of the Decadence, Thomas Couture, 1847

    The Romans of the Decadence

    1847 · Musée d'Orsay

    Armstudie, Thomas Couture

    Armstudie

    Belvedere

    La Courtisane, Thomas Couture, c. 19th century

    La Courtisane

    c. 19th century · Musée d'Orsay