ART WIKI32,963 on view
MapCollectionArtistsMuseumsExhibitionsJournal
Sign in

ART WIKI

Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

Sections

  • Map
  • Search
  • Collection
  • Masterpieces
  • On view now
  • Artists

More

  • Museums & galleries
  • Exhibitions
  • Journal
  • Where the data comes from
  • Privacy & cookies
HomeMapBrowse
  1. Collection/
  2. National Portrait Gallery (Smithsonian)/
  3. Edward Albert
Edward Albert, Mathew B. Brady, 1860

Edward Albert

1860 · Photograph

Particulars

1860 · aged 37
18231896
Accession number
S/NPG.99.83

Meanwhile, in the life of Mathew B. Brady

The whole life
  1. 1850s

    His eyesight begins to fail

    In the 1850s Brady’s eyesight begins to deteriorate; this may in part explain why he later rarely visited the battlefields himself and why many images in his collection are thought to be the work of his assistants.

  2. 1861

    Lincoln permits him to photograph the war

    Taken with the idea of documenting the war itself, Brady first asks his old friend General Winfield Scott, and then President Lincoln, for permission to send his photographers to the battle sites; Lincoln agrees in 1861 on condition that Brady finances the project himself. Despite the dangers, the financial risk and his friends’ discouragement, he said he simply had to go.

  3. 1861

    Under fire at Bull Run

    His first popular photographs of the conflict are taken at the First Battle of Bull Run, where he gets so close to the action that he barely avoids capture; later he comes under direct fire at Petersburg and Fredericksburg.

  4. 1861

    Hires photographers with travelling darkrooms

    He employs Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche and seventeen other men, giving each a travelling darkroom. Brady himself generally resides in Washington, organizing his assistants and rarely visiting the battlefields, so many images in his collection are the work of his assistants.

  5. 1861

    Offers parents portraits of departing soldiers

More by Mathew B. Brady

All works

Neighbors at National Portrait Gallery (Smithsonian)

Museum page

On the same theme · Government

All works on the theme

When the Civil War begins, sales of cartes de visite to departing soldiers rise briskly; in the New-York Daily Tribune Brady runs an advertisement warning parents that it may soon be too late to capture their sons’ likenesses.

  • October 1862

    Exhibition “The Dead of Antietam”

    He opens, in his New York gallery, an exhibition of photographs of the Battle of Antietam; many of the images show corpses, a presentation new to America — the first time many Americans saw the realities of war in photographs rather than in artists’ impressions.

  • Mathew B. Brady, portraitMathew B. BradyAmerican, 1823–1896

    May one see it?

    Unknown

    NPG
    National Portrait Gallery (Smithsonian)

    Washington, D.C., United States

    The owner is known; whether it is on view today is not.

    In this state since
    Oct 5, 2026
    Source
    The museum
    On the mapMuseum page

    What it shows

    GovernmentInterior decorationWalesPortraitUnited KingdomCarte-de-visiteRulerHeadgear

    In the catalog

    PhotographsAlbumen printRealismImpressionism19th century

    Sources

    • National Portrait Gallery (Smithsonian)
    • Image: National Portrait Gallery (Smithsonian) — National Portrait Gallery, Smithsonian Institution (CC0)
    Untitled, Mathew B. Brady, 1860-70

    Untitled

    1860-70 · Not on view · The Museum of Modern Art

    Ernestine Souvenir, Mathew B. Brady, 1860-69

    Ernestine Souvenir

    1860-69 · Not on view · The Museum of Modern Art

    Untitled, Mathew B. Brady, c. 1860

    Untitled

    c. 1860 · Not on view · The Museum of Modern Art

    General Ulysses S. Grant, Mathew B. Brady, 1861-65

    General Ulysses S. Grant

    1861-65 · Not on view · The Museum of Modern Art

    President Lincoln, Mathew B. Brady, c. 1862

    President Lincoln

    c. 1862 · Not on view · The Museum of Modern Art

    Ruins of Richmond, Mathew B. Brady, 1863-65

    Ruins of Richmond

    1863-65 · Not on view · The Museum of Modern Art

    Ruins of the Gallego Flour Mills, Richmond, Virginia, Mathew B. Brady (studio of), Alexander Gardner, 1865

    Ruins of the Gallego Flour Mills, Richmond, Virginia

    1865 · Not on view · The Museum of Modern Art

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia, Mathew B. Brady, April 1865

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia

    April 1865 · Not on view · The Museum of Modern Art

    Robert F. Kennedy, Gardner Cox, 1968

    Gardner Cox

    Robert F. Kennedy, 1968

    Babe Ruth, Paolo Garretto, 1929

    Paolo Garretto

    Babe Ruth, 1929

    Alice Dunbar Nelson, Laura Wheeler Waring, 1927

    Laura Wheeler Waring

    Alice Dunbar Nelson, 1927

    Pauline Morton Sabin, Philip Alexius de László, 1926

    Philip Alexius de László

    Pauline Morton Sabin, 1926

    Adolph Ochs, Philip Alexius de László, 1926

    Philip Alexius de László

    Adolph Ochs, 1926

    Samuel Gompers, Moses Wainer Dykaar, 1924

    Moses Wainer Dykaar

    Samuel Gompers, 1924

    Alexander Graham Bell, Moses Wainer Dykaar, 1922

    Moses Wainer Dykaar

    Alexander Graham Bell, 1922

    Lillian D. Wald, William Valentine Schevill, 1919

    William Valentine Schevill

    Lillian D. Wald, 1919

    The Oval Office, Roy Lichtenstein, 1992

    Roy Lichtenstein

    The Oval Office, 1992

    Not on view · National Gallery of Art

    The House of Representatives, Samuel F. B. Morse, 1822, probably reworked 1823

    Samuel F. B. Morse

    The House of Representatives, 1822, probably reworked 1823

    National Gallery of Art

    Farm Security Administration camp for migrant agricultural workers at Shafter, California, Dorothea Lange, June 1938

    Dorothea Lange

    Farm Security Administration camp for migrant agricultural workers at Shafter, California, June 1938

    Not on view · National Gallery of Art

    Mark, Robert Rauschenberg, 1964

    Robert Rauschenberg

    Mark, 1964

    Not on view · National Gallery of Art

    Le Ventre Législatif (The Legislative Belly), Honoré Daumier, 1834

    Honoré Daumier

    Le Ventre Législatif (The Legislative Belly), 1834

    Not on view · National Gallery of Art

    Wealth and Benefits of the Spanish Monarchy under Charles III, Giovanni Battista Tiepolo, 1762

    Giovanni Battista Tiepolo

    Wealth and Benefits of the Spanish Monarchy under Charles III, 1762

    National Gallery of Art

    Roy Emerson Stryker, Gordon Parks, 1946

    Gordon Parks

    Roy Emerson Stryker, 1946

    Not on view · National Gallery of Art

    Fort Peck Dam, Montana, Margaret Bourke-White, 1936

    Margaret Bourke-White

    Fort Peck Dam, Montana, 1936

    Not on view · National Gallery of Art