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  1. Collection/
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  3. ECCE HOMO
ECCE HOMO, Mattia Preti, 1656 vers,1666 et
Mattia Preti, portraitMattia PretiItalian, 1613–1699

ECCE HOMO

Painting · 205 × 259 cm

May one see it?

Unknown

MC
Musée Condé

Chantilly, France

The owner is known; whether it is on view today is not.

In this state since
Oct 5, 2026
Source
The museum
On the mapMuseum page

Particulars

1656
16131699
Accession number
PE 82

What it shows

Scène biblique (Ecce Homo : Jésus présenté au peuple, ange, douleur)

In the catalog

PaintingsOilItalian paintingBaroque17th centuryItalieNaples

Sources

  • Musée Condé
  • Image: Musée Condé — © Harry Bréjat ; Réunion des musées nationaux - utilisation soumise à autorisation; Ministère de la Culture (France), base Joconde

Meanwhile, in the life of Mattia Preti

The whole life
  1. 1653–1661

    A relationship of mutual influence with the young Luca Giordano

    In Naples he developed a mutually influential relationship with the younger Luca Giordano; together they contributed to the development of the Neapolitan school of painting in the second half of the century. For the young Neapolitan artist, Preti acted as a bridge between the early naturalism of the first half of the century and the fully-fledged Baroque style.

  2. 1656

    The plague in Naples

    The plague that struck Naples in 1656 reduced its population from 450,000 to just under 200,000; after it, numerous public works were commissioned in gratitude to the Virgin Mary and Naples’ patron saints for saving the city.

  3. summer 1659

    A trip to Malta: Knight of Grace of the Order

    In the summer of 1659 he travelled to Malta, where he was made a Knight of Grace in the Order of St John and visited the Order’s headquarters.

  4. 1660

    Commissioned to decorate the vault of St John’s Co-Cathedral

    In 1660 he was commissioned to decorate the vault of St John’s Co-Cathedral in Valletta, the church of the Order of Malta.

  5. 1660–1661

    Back in Rome: Valmontone and Sant’Andrea

    By around 1660 he was no longer based permanently in Naples, and was initially in Rome, where he succeeded Pier Francesco Mola to complete the fresco cycle of the Elements of the Air at the Villa Pamphilij in Valmontone and made improvements to his Stories of the Saint at Sant’Andrea della Valle, painted during his earlier years in Rome. Meanwhile, in Naples, he had established a strong professional relationship with Don Antonio Ruffo, a wealthy Sicilian patron who invited him to fresco Messina Cathedral.

  6. 1661–1699

    Malta: work for the island and for all of Europe

    From 1661 he worked in Malta: besides the cathedral decoration he realised several paintings on the island for private patrons and parish churches, and his increased reputation brought him commissions from all over Europe. His major works in Malta include the “Conversion of Saint Paul” in St Paul’s Cathedral in Mdina, commissioned by the Knights Hospitaller, and the “Madonna and Child with Saints John the Baptist and Anthony Abbot” in the chapel of Verdala Palace in Siġġiewi.

More by Mattia Preti

All works
A Man Cutting Tobacco, Mattia Preti, 1660s

A Man Cutting Tobacco

1660s · National Gallery of Art

The Concert, Mattia Preti, 1630s

The Concert

1630s · State Hermitage Museum

Clorinda Rescuing Sofronia and Olindo, Mattia Preti, about 1660

Clorinda Rescuing Sofronia and Olindo

about 1660 · J. Paul Getty Museum

Pilate Washing His Hands, Mattia Preti, 1663

Pilate Washing His Hands

1663 · The Metropolitan Museum of Art

The Martyrdom of Saint Gennaro, Mattia Preti, c. 1685

The Martyrdom of Saint Gennaro

c. 1685 · National Gallery of Art

Saint Paul the Hermit, Mattia Preti, c. 1662–1664

Saint Paul the Hermit

c. 1662–1664 · The Cleveland Museum of Art

Die Befreiung Petri aus dem Gefängnis, Mattia Preti

Die Befreiung Petri aus dem Gefängnis

Gemäldegalerie Alte Meister

Johannes der Täufer, Mattia Preti

Johannes der Täufer

Albertina