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  3. Drei Mädchen und ein Reiter
Drei Mädchen und ein Reiter, August Macke, 1912
August Macke, portraitAugust MackeGerman, 1887–1914

Drei Mädchen und ein Reiter

1912 · Print

May one see it?

Unknown

Albertina

Vienna, Austria

The owner is known; whether it is on view today is not.

In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

1912 · aged 25
18871914

In the catalog

PrintsModernism20th century

Sources

  • Albertina
  • Image: Albertina — Public Domain Mark 1.0

Meanwhile, in the life of August Macke

The whole life
  1. early 1910

    Meeting Franz Marc

    In early 1910 in Munich Macke sees an exhibition of Franz Marc’s paintings and decides to meet him at once: with his cousin Helmuth, also an artist, and Bernhard Koehler’s son, he goes to Marc’s home. From that day to the end of their lives the two are close friends: Macke draws Marc out of his “creative isolation”, the most quoted lines of Marc’s letters about the symbolic meaning of colours are addressed to him, and under his influence Marc begins to paint with large areas of saturated colour.

  2. 1911

    The Blue Rider: three works in the first exhibition

    Macke founds the association of Expressionist artists Der Blaue Reiter together with Wassily Kandinsky, Alfred Kubin and Franz Marc; three of his works are shown at the Blue Rider exhibition in Munich in 1911.

  3. April 1914

    Tunisia with Klee and Moilliet: landmark watercolours

    In April 1914 Macke makes a two-week trip to Tunisia with Paul Klee and Klee’s school friend, the painter Louis Moilliet, and brings back a large number of landmark watercolours. The exotic atmosphere of Tunisia becomes fundamental to the luminist approach of his final period; the sketches and photographs will serve as material for “Tunisian Landscape”, “Landscape with Cows and a Camel” and other works, but Macke will not manage to use them fully.

  4. 8 August 1914

    Mobilisation: to the front as a reservist

    Almost immediately after the outbreak of the First World War, on 8 August 1914, Macke, a reservist, is called up for the front. Far, as Elisabeth wrote years later, from the “hurrah-patriotism” that seized many, he nevertheless considers it his duty to go; in his letters from the front he describes the horror and cruelty of the war.

  5. 26 September 1914

    Killed in battle at twenty-seven

    On the morning of 26 September 1914 Macke is killed in battle in Champagne at the age of 27; his remains are not found, and his name appears among those of other dead on a gravestone at the military cemetery at Souain (other accounts say he is buried in the German military cemetery at Souain-Perthes-lès-Hurlus). In one of his last letters he remarks that only the steadfastness of the defenders of the Western Front will spare Germany the devastation by war that the front-line regions of France have suffered.

  6. 26 September 1914

    Died

More by August Macke

All works
People by the Blue Lake, August Macke, 1913

People by the Blue Lake

1913 · National Gallery of Art

Begrüssung (Greeting), August Macke

Begrüssung (Greeting)

Not on view · National Gallery of Art

Drei weibliche Akte, August Macke, 1902–1914

Drei weibliche Akte

1902–1914 · Kunstpalast

Composition (3 Nudes) [Komposition (3 Akte)] (plate, preceding p. 79) from the periodical Das Kunstblatt, vol. 2, no. 4 (Apr 1918), August Macke, 1918 (executed 1912)

Composition (3 Nudes) [Komposition (3 Akte)] (plate, preceding p. 79) from the periodical Das Kunstblatt, vol. 2, no. 4 (Apr 1918)

1918 (executed 1912) · Not on view · The Museum of Modern Art

Die Begrüßung, August Macke, 1912

Die Begrüßung

1912 · Kunstpalast

Drei Mädchen und ein Reiter, August Macke, 1912

Drei Mädchen und ein Reiter

1912 · Albertina

Begrüßung, August Macke, 1912

Begrüßung

1912 · Kunstpalast

Zwei Mädchen mit Korb, August Macke, 1912

Zwei Mädchen mit Korb

1912 · Kunstpalast