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  3. Drawing
Drawing, Parmigianino, ca. 1520 - 1540
Parmigianino, portraitParmigianinoItalian, 1503–1540

Drawing

ca. 1520 - 1540 · Drawing · 6.1 × 4.6 cm

May one see it?

Not receiving at present

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
12 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

Particulars

ca. 1520 - 1540
15031540
Accession number
DYCE.278

What it shows

Old man

In the catalog

Drawings & watercolorsPen and inkRenaissance16th centuryParmesan SchoolItaly

Sources

  • Victoria and Albert Museum
  • Image: Victoria and Albert Museum — © Victoria and Albert Museum, London

Meanwhile, in the life of Parmigianino

The whole life
  1. summer 1524

    Travels to Rome with his uncles

    According to Vasari, on hearing Raphael and Michelangelo praised, Francesco longed to see Rome; his uncles approved and advised him to take some of his works to open doors to the lords and artists there. They arrived in Rome in the summer of 1524, and Parmigianino presented several paintings to Pope Clement VII, among them the “Self-Portrait in a Convex Mirror” painted on a wooden hemisphere.

  2. 1527

    The Sack of Rome finds him at work

    During the Sack of Rome by the landsknechts of Emperor Charles V, soldiers burst into the studio where Parmigianino was painting “The Vision of Saint Jerome” but harmed neither the pictures nor the artist. Soon, however, he had to abandon his lodgings and Rome, and he left the altarpiece with the church of Santa Maria della Pace.

  3. May 1531

    Commissioned to decorate Santa Maria della Steccata

    In May 1531 Parmigianino was commissioned to fresco the church of Santa Maria della Steccata in praise of the Virgin, with the Coronation as the main scene, and undertook to finish within eighteen months; the work stalled again and again over irregular supplies and the church administration's dislike of his unusual design. Other accounts say the commission was for two altarpieces, of Saint Joseph and Saint John the Baptist. The confraternity advanced him a salary.

  4. 1539

    Jailed for breach of contract

    Absorbed in alchemy (Vasari says the elegant, handsome man turned into a bearded, unkempt, almost savage recluse), the artist did little work in the church, and the Steccata confraternity, which had paid him in advance, had him imprisoned for two months. Released on his promise to finish the work, he again failed to keep it and fled Parma for the small town of Casalmaggiore.

  5. 5 August 1540

    Illness and will at Casalmaggiore

    Falling ill, possibly with malaria, the artist made his will: he named as heirs three underage servants, perhaps also his studio assistants, left 100 scudi to his sister Ginevra, and asked to be buried in the Servite church of La Fontana near Casalmaggiore, naked with a cross on his chest. Vasari gives the cause of death now as a severe fever, now as poisoning by the mercury he used in his alchemical experiments.

  6. 24 August 1540

    Died

More by Parmigianino

All works
Le Mariage mystique de sainte Catherine, Parmesan, XVIe siècle (1500 - 1600)

Le Mariage mystique de sainte Catherine

16th century (1500–1600) · Musée du Louvre

Portræt af Lorenzo Cybo, Parmigianino, 1523

Portrait of Lorenzo Cybo

1523 · SMK

The Entombment (copy), Parmigianino, c. 1523

The Entombment (copy)

c. 1523 · State Hermitage Museum

The Boy and Two Old Men, Parmigianino

The Boy and Two Old Men

Not on view · National Gallery of Art

Saint Simon, Antonio da Trento after Parmigianino

Saint Simon

Not on view · National Gallery of Art

Saint Simon, Master F.P. after Parmigianino

Saint Simon

Not on view · National Gallery of Art

Virgin and Child, Parmigianino

Virgin and Child

Not on view · National Gallery of Art

The Presentation in the Temple, after Parmigianino after Giuseppe Porta

The Presentation in the Temple

Not on view · National Gallery of Art

Neighbors at Victoria and Albert Museum

Museum page
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

On the same theme · Old man

All works on the theme
Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Rijksmuseum

Sheet of studies of men's heads: old man seen from behind, profile right: half-figure, Rembrandt van Rijn, c. 1629

Rembrandt van Rijn

Sheet of studies of men's heads: old man seen from behind, profile right: half-figure, c. 1629

Rijksmuseum

Bust of an old man with a fur cap and flowing beard, nearly full face, Rembrandt van Rijn, after 1631

Rembrandt van Rijn

Bust of an old man with a fur cap and flowing beard, nearly full face, after 1631

Rijksmuseum

Old man with beard, fur cap, and velvet cloak, Rembrandt van Rijn, c. 1631

Rembrandt van Rijn

Old man with beard, fur cap, and velvet cloak, c. 1631

Rijksmuseum

Bearded old man in a high fur cap, with eyes closed, Rembrandt van Rijn, 1761

Rembrandt van Rijn

Bearded old man in a high fur cap, with eyes closed, 1761

Rijksmuseum

An Old Jew, Marc Chagall, 1922

Marc Chagall

An Old Jew, 1922

Not on view · National Gallery of Art

Bebaarde man met banderol met Hebreeuwse tekst, William Blake, 1796

William Blake

Bebaarde man met banderol met Hebreeuwse tekst, 1796

Rijksmuseum

Antieke camee met portretkop, in profiel naar links, Peter Paul Rubens, 1613 - 1640

Peter Paul Rubens

Antieke camee met portretkop, in profiel naar links, 1613 - 1640

Rijksmuseum