Joaquín SorollaSpanish, 1863–1923Dos figuras masculinas
Can I see it?
Unknown
Where is “Dos figuras masculinas” now? Collection: Sorolla Museum, Madrid. Unknown.
Madrid, Spain
The owner is known; whether it is on view today is not.
- In this state since
- Source
- The museum
About the work
Museum text in Spanish
Anverso: Figura masculina Figura masculina de medio cuerpo, de perfil a la derecha ligeramente girado hacia el fondo. Lleva sombrero de copa alta y plana a la cabeza, y tiene las manos cruzadas frente al pecho. Parece llevar abrigo. Reverso: Dos figuras masculinas En la zona superior, figura masculina casi de cuerpo entero (le faltan los pies) sentado en una silla. Está de perfil a la izquierda y parece llevar levita o chaqueta larga cuyos faldones cuelgan a los lados de la silla. Tiene entre las manos, frente al pecho, algún tipo de papel. En la zona inferior, figura masculina en pose de tres cuartos, sentada recostándose hacia atrás. Lleva sombrero hongo a la cabeza.
Sorolla Museum
Details
What it shows
In the catalog
Sources
- Sorolla Museum
- Image: Sorolla Museum — In Copyright
In the life of Joaquín Sorolla
The whole life1885
A four-year grant to study in Rome
Having completed his military service, the twenty-two-year-old Sorolla received a grant from the Spanish Academy in Rome for four years of study in Italy. In Rome he was welcomed by the academy’s director, Francisco Pradilla, in whose example the young painter found stability.
1885
Paris: his first encounter with modern painting
A long stay in Paris gave him his first exposure to modern painting; he was especially struck by exhibitions of Jules Bastien-Lepage and Adolph von Menzel. Back in Rome he studied with José Benlliure, Emilio Sala and José Villegas Cordero.
1888
Returns to Valencia to marry Clotilde
Sorolla returned to Valencia to marry Clotilde García del Castillo; by 1895 they had three children — María, Joaquín and Elena.
13 April 1889
Daughter born: María Sorolla García
1890
Moves to Madrid: large canvases for the salons
The family moved to Madrid. For the next decade Sorolla concentrated on large canvases of orientalist, mythological, historical and social subjects for salons and international exhibitions in Madrid, Paris, Venice, Munich, Berlin and Chicago.
