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  1. Collection/
  2. Belvedere/
  3. Die Hirtin
Die Hirtin, Franz Marc, 1913
Franz Marc, portraitFranz MarcGerman, 1880–1916

Die Hirtin

1913 · Print

May one see it?

Unknown

Belvedere

Vienna, Austria

The owner is known; whether it is on view today is not.

In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

About the work

In the museum's own words — in German

Titelseite der Zeitschrift ""Der Sturm"", Wochenschrift für Kultur und Künste, hgg. von Herwarth Walden, Berlin, Verlag der Sturm, 3. (eigentl. 4.) Jg., Januar 1913, Nr.144/145

Belvedere

Particulars

1913 · aged 33
18801916

In the catalog

PrintsModernism20th century

Sources

  • Belvedere
  • Image: Belvedere — CC BY-SA 4.0

Meanwhile, in the life of Franz Marc

The whole life
  1. winter 1910 – 1911

    Winter 1910–11: the turn to his mature manner

    In the view of the writer Morgan Meis, Marc became an artist this very winter: out of earlier confusion comes a unified vision, his animals emerge pure and true from the canvas, and colour becomes the main thing.

  2. February 1911

    Meeting Wassily Kandinsky

    Although Marc joined the association in autumn 1910, he meets its leader, the Russian abstract painter Wassily Kandinsky, only in February 1911.

  3. December 1911

    Leaving the NKVM and founding Der Blaue Reiter

    In December 1911 Marc, together with Macke and Kandinsky, breaks away from the Neue Künstlervereinigung and organises his own group, Der Blaue Reiter; he is also credited with founding the journal that became the centre of the circle.

  4. December 1911 – January 1912

    The first Blue Rider exhibition

    Several of Marc's works are shown at the first Blue Rider exhibition at the Thannhauser Galleries in Munich, which has been called the apex of German Expressionism.

  5. 1913

    Married: Maria Marc

  6. 1914

    Called up at the start of the First World War

    At the outbreak of war in 1914 Marc, like August Macke, is mobilised and sent to the front; early biographers thought he had volunteered, but conscription was practically impossible to avoid.

More by Franz Marc

All works
Weasels at Play, Franz Marc, 1911

Weasels at Play

1911 · National Gallery of Art

Grazing Horses IV, Franz Marc, 1911

Grazing Horses IV

1911 · Harvard Art Museums

Vrouw met twee schapen, Franz Marc, 1890 - 1916

Vrouw met twee schapen

1890 - 1916 · Rijksmuseum

Bookplate Daniel Pesl I (Exlibris Daniel Pesl I), Franz Marc, (1901)

Bookplate Daniel Pesl I (Exlibris Daniel Pesl I)

(1901) · Not on view · The Museum of Modern Art

Bookplate (Exlibris), Franz Marc, (c. 1902)

Bookplate (Exlibris)

(c. 1902) · Not on view · The Museum of Modern Art

Bookplate Paul Marc I (Ex Libris Paul Marc I), Franz Marc, (1902)

Bookplate Paul Marc I (Ex Libris Paul Marc I)

(1902) · Not on view · The Museum of Modern Art

Bookplate Daniel Pesl II (Exlibris Daniel Pesl II), Franz Marc, (c. 1902)

Bookplate Daniel Pesl II (Exlibris Daniel Pesl II)

(c. 1902) · Not on view · The Museum of Modern Art

Book Plate Franz Marc II (Ex Libris Franz Marc II), Franz Marc, (1905)

Book Plate Franz Marc II (Ex Libris Franz Marc II)

(1905) · Not on view · The Museum of Modern Art

From the collection of Belvedere

Museum page
Die Ebene von Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Die Ebene von Auvers, 1890

Stillleben mit fünf Flaschen, Vincent van Gogh, 1884

Vincent van Gogh

Stillleben mit fünf Flaschen, 1884

Eine Allee in Monets Garten in Giverny, Claude Monet, 1902

Claude Monet

Eine Allee in Monets Garten in Giverny, 1902

Der Koch (Le Père Paul), Claude Monet, 1882

Claude Monet

Der Koch (Le Père Paul), 1882

Angler auf der Seine bei Poissy, Claude Monet, 1882

Claude Monet

Angler auf der Seine bei Poissy, 1882

Amalie Zuckerkandl, Gustav Klimt, 1917–1918

Gustav Klimt

Amalie Zuckerkandl, 1917–1918

Dame in Weiß, Gustav Klimt, 1917–1918

Gustav Klimt

Dame in Weiß, 1917–1918

Johanna Staude, Gustav Klimt, 1917–1918

Gustav Klimt

Johanna Staude, 1917–1918