ART WIKI
Das antike Opfer, Andrea Mantegna, 1638
Andrea Mantegna, portraitAndrea MantegnaItalian, 1431–1506

Das antike Opfer

1638 · Print

Can I see it?

Unknown

Where is “Das antike Opfer” now? Collection: Herzog Anton Ulrich Museum, Braunschweig. Unknown.

Herzog Anton Ulrich Museum

Braunschweig, Germany

The owner is known; whether it is on view today is not.

In this state since
Source
The museum
On the mapMuseum page
Embed

Details

What it shows

SoldiersSoldiers' livesDie Geschichte der Minerva (Pallas, Athene)Partially nude menAegis: Schild mit dem Gorgonenhaupt (Attribute Minervas)Der Altar in der römischen ReligionAltarWomanMan

In the catalog

PrintsBaroque17th century

Sources

More by Andrea Mantegna

All works
The Adoration of the Shepherds, Andrea Mantegna, shortly after 1450

Adoration of the Shepherds

shortly after 1450 · The Metropolitan Museum of Art

Bas-relief : Triomphe de l'Amour, Mantegna, Andrea, Renaissance (Occident)

Bas-relief : Triomphe de l'Amour

Renaissance (Occident) · Musée du Louvre

The Virgin and Child with the Magdalen and Saint John the Baptist, Andrea Mantegna

The Virgin and Child with the Magdalen and Saint John the Baptist

The National Gallery

The Agony in the Garden, Andrea Mantegna, c. 1450s

The Agony in the Garden

c. 1450s · The National Gallery

La Crucifixion, Mantegna, Andrea, 3e quart du XVe siècle (après 1456 - 1459)

La Crucifixion

third quarter of the 15th century (after 1456–1459) · Musée du Louvre

The Infant Savior, Andrea Mantegna, c. 1460

The Infant Savior

c. 1460 · National Gallery of Art

Portrait of a Man, Andrea Mantegna, c. 1470

Portrait of a Man

c. 1470 · National Gallery of Art

Minerve chassant les Vices du Jardin de la Vertu, Mantegna, Andrea, 4e quart du XVe siècle (1475 - 1500)

Triumph of the Virtues

last quarter of the 15th century (1475–1500) · Musée du Louvre

From the collection of Herzog Anton Ulrich Museum

Museum page
Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771

On the same theme · Soldiers

All works on the theme
Washington Crossing the Delaware, Emanuel Leutze, 1851

Emanuel Gottlieb Leutze

Washington Crossing the Delaware, 1851

The Metropolitan Museum of Art

The Denial of Saint Peter, Caravaggio, 1610

Caravaggio

The Denial of Saint Peter, 1610

The Metropolitan Museum of Art

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Herzog Anton Ulrich Museum

Christ before Pilate: Large Plate, Rembrandt van Rijn, 1636

Rembrandt van Rijn

Christ before Pilate: Large Plate, 1636

Not on view · National Gallery of Art

[Das Reitergefecht; The Cavalry Fight; Sujet de bataille], Rembrandt, 1629

Rembrandt van Rijn

[Das Reitergefecht; The Cavalry Fight; Sujet de bataille], 1629

Herzog Anton Ulrich Museum

[Die drei Kreuze; Christus am Kreuz zwischen den Schächern; Christ Crucified Between the Two Thieves (The 'Three Crosses'); Les trois Croix], Rembrandt, 1653

Rembrandt van Rijn

[Die drei Kreuze; Christus am Kreuz zwischen den Schächern; Christ Crucified Between the Two Thieves (The 'Three Crosses'); Les trois Croix], 1653

Herzog Anton Ulrich Museum

Disparate de miedo (Folly of Fear), Francisco Goya, in or after 1816

Francisco de Goya

Disparate de miedo (Folly of Fear), in or after 1816

Not on view · National Gallery of Art

Sketch of a Swordsman Standing Over His Defeated Opponent [recto], William Blake, c. 1780/1785

William Blake

Sketch of a Swordsman Standing Over His Defeated Opponent [recto], c. 1780/1785

Not on view · National Gallery of Art