Dance to the Berdash
About the painting
“Dance to the Berdashe is a very funny and amusing scene, which happens once a year or oftener, as they choose, when a feast is given to the ‘Berdashe,’ as he is called in French . . . who is a man dressed in woman's clothes, as he is known to be all his life, and for extraordinary privileges which he is known to possess, he is driven to the most servile and degrading duties, which he is not allowed to escape; and he being the only one of the tribe submitting to this disgraceful degradation, is looked upon as medicine and sacred, and a feast is given to him annually.” George Catlin first sketched the scene at a Sac and Fox village in 1835. (Catlin, Letters and Notes, vol. 2, no. 56, 1841; reprint 1973)
Smithsonian American Art Museum
Particulars
- Accession number
- 1985.66.442
Meanwhile, in the life of George Catlin
The whole life1830–1836
Five journeys into the American West
St. Louis was his base for the five trips and the steamer Yellowstone of the American Fur Company his first transport; he visited 48 tribes in all (other accounts say about fifty). On trips along the Arkansas, Red and Mississippi rivers, in Florida and around the Great Lakes he painted more than 500 pictures and gathered a substantial collection of artifacts.
1836
First exhibition: about 500 works
Catlin’s first exhibition takes place in the United States, with about 500 works, but it makes little public stir.
1838
The Indian Gallery and public lectures
Back in the East, he gathers his paintings and Native artifacts into his own Indian Gallery and begins giving lectures on life among the Indians, touring Pittsburgh, Cincinnati and New York with the show. The paintings hang salon-style, in rows one above another, and visitors identify them by catalogue numbers.
May 1838
Congress declines to buy the Indian Gallery
The U.S. Congress rebuffs his offer to sell the collection: Catlin wanted his life’s work kept intact, but his later efforts to persuade officials in Washington failed as well.
after 1839
Gallery shows in London, Brussels and Paris
As a showman and entrepreneur, he draws public interest to the Indian Gallery with exhibitions in London, Brussels and Paris (including the Louvre). Charles Baudelaire praised him for bringing back to life the nobility and manliness of the chiefs.
