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  3. Cupids as Caryatids
Cupids as Caryatids, possibly John Michael Rysbrack, ca. 1730

Cupids as Caryatids

ca. 1730 · Relief

About the sculpture

This terracotta group in high relief is perhaps made by John Michael Rysbrack in ca. 1730 in England.

This terracotta relief - together with its pendant Mus. no. 7718-1863 - were made as sketch models for a larger composition in marble, probably used on the entablature of a doorway or chimneypiece; they may also have formed part of the pediment of a monument.

Rysbrack (1694-1770) was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right.

Victoria and Albert Museum

Particulars

Accession number
7717-1863

More by possibly John Michael Rysbrack

All works

In the same room · Sculpture, Room 22, The Dorothy and Michael Hintze Galleries, Victoria and Albert Museum

Museum page

On the same theme · Putti

All works on the theme
Ppossibly John Michael Rysbrack

May one see it?

Yes, receiving visitors

Victoria and Albert Museum

London, United Kingdom

RoomSculpture, Room 22, The Dorothy and Michael Hintze Galleries

On public display.

Checked
12 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

What it shows

Putti

In the catalog

SculptureTerracotta and ceramicsRococo18th centuryEngland

Sources

  • Victoria and Albert Museum
  • Image: Victoria and Albert Museum — © Victoria and Albert Museum, London
Cupids as Caryatids, possibly John Michael Rysbrack, ca. 1730

Cupids as Caryatids

ca. 1730 · Victoria and Albert Museum

Two Putti supporting and Architrave, possibly John Michael Rysbrack, ca. 1730

Two Putti supporting and Architrave

ca. 1730 · Victoria and Albert Museum

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Alfred Stevens

Model for Wellington Monument: Truth and Falsehood, 1867-8

Valour and Cowardice, Alfred George Stevens, 1866

Alfred Stevens

Valour and Cowardice, 1866

Pandora, John Gibson, 1856

John Gibson

Pandora, 1856

Eve listening to the voice, Edward Hodges Baily, 1842

Edward Hodges Baily

Eve listening to the voice, 1842

Maternal Affection, Edward Hodges Baily, 1837

Edward Hodges Baily

Maternal Affection, 1837

Catherine, Lady Stepney (d. 1845) as Cleopatra, Richard Cockle Lucas, ca. 1836

Richard Cockle Lucas

Catherine, Lady Stepney (d. 1845) as Cleopatra, ca. 1836

Nicolò Paganini, Henry Westmacott, 1832

Henry Westmacott

Nicolò Paganini, 1832

Cupid kindling the torch of Hymen, George Rennie, ca. 1831

George Rennie

Cupid kindling the torch of Hymen, ca. 1831

Bacchanal: A Faun Teased by Children, Gian Lorenzo Bernini, ca. 1616–17

Gian Lorenzo Bernini

A Faun Teased by Children, ca. 1616–17

The Metropolitan Museum of Art

Page from the Collection of Niccolò Gaddi (So-Called "Vasari Page"), Florentine 16th century, The "Chief Framer", Raffaellino del Garbo, and Sandro Botticelli, and Filippino Lippi, Sheets probably 1480-1504; mounting & framework c. 1575/1590

Sandro Botticelli

Page from the Collection of Niccolò Gaddi (So-Called "Vasari Page"), Sheets probably 1480-1504; mounting & framework c. 1575/1590

Not on view · National Gallery of Art

The Temptation of the Idler (The Dream of the Doctor), Albrecht Dürer, c. 1498

Albrecht Dürer

The Temptation of the Idler (The Dream of the Doctor), c. 1498

Not on view · Art Institute of Chicago

The Dream of the Doctor (Temptation of the Idler), Albrecht Dürer, 1498/1499

Albrecht Dürer

The Dream of the Doctor (Temptation of the Idler), 1498/1499

Not on view · National Gallery of Art

Die Hexe - Witch Riding on a Goat, Albrecht Dürer, c. 1500

Albrecht Dürer

Die Hexe - Witch Riding on a Goat, c. 1500

Not on view · Minneapolis Institute of Art

Putti Testing a Man's Perception of Depth, Sir Peter Paul Rubens, c. 1613

Peter Paul Rubens

Putti Testing a Man's Perception of Depth, c. 1613

Not on view · National Gallery of Art

Hercules Fighting the Fury and the Discord, Christoffel Jegher after Sir Peter Paul Rubens, 1630

Peter Paul Rubens

Hercules Fighting the Fury and the Discord, 1630

Not on view · National Gallery of Art

Elderly Man Watching Putti Dissect an Eye, Sir Peter Paul Rubens, c. 1613

Peter Paul Rubens

Elderly Man Watching Putti Dissect an Eye, c. 1613

Not on view · National Gallery of Art