Crowhurst, Joseph Mallord William Turner, 19th century
Joseph Mallord William Turner, portraitJoseph Mallord William TurnerBritish, 1775–1851

Crowhurst

19th century · Print

Can I see it?

Not on view at present

Where is “Crowhurst” now? Collection: Harvard Art Museums, Cambridge. Not on view at present. Checked September 29, 2026.

Harvard Art Museums

Cambridge, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
M7

In the catalog

Sources

In the life of Joseph Mallord William Turner

The whole life
  1. 4 November 1799

    Elected an associate of the Royal Academy

    On 4 November 1799 Turner, by then a popular artist, was elected an associate (corresponding) member of the Royal Academy.

  2. 1801

    The triumph of the “Bridgewater Sea Piece” at the Academy

    “Dutch Boats in a Gale” (the “Bridgewater Sea Piece”), commissioned for 250 guineas by the Duke of Bridgewater, one of the richest men in England, “took the Academy by storm” and was hung in the best location of the whole exhibition: in the Great Room, centred, opposite the entrance.

  3. 10 February 1802

    Becomes a Royal Academician

    On 10 February 1802 he was granted the title of Royal Academician, which gave him the right to exhibit without passing the selection committee that previewed all works.

  4. 1802–1803

    Paris and the Swiss Alps in a year of peace

    In the only year without war in Europe between 1793 and 1814 (the Peace of Amiens, 1802–1803) a consortium of noblemen sponsored a visit to Paris, where he saw old master paintings in the Louvre, and then he toured the Swiss Alps; his Alpine sketches later let him represent “the sublime” in paintings such as “Snow Storm: Hannibal and his Army Crossing the Alps” (1812).

  5. 1819

    First journey through Italy

    He visited Turin, Milan, Rome, Venice and Naples, studying the works of Titian, Tintoretto, Raphael and contemporary Italian artists; after the trip his painting became brighter, his palette more intense, with primary colours predominating, and the Venetian theme took a special place in his work.

  6. 19 December 1851

    Died

All works

On view at Harvard Art Museums

Museum page