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  1. Collection/
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  3. Courtyard
Courtyard, Alexandre Gabriel Decamps, c. 1855

Courtyard

c. 1855 · Painting

Particulars

c. 1855
18031860
Accession number
1894.1046

More by Alexandre-Gabriel Decamps

All works

Neighbors at Art Institute of Chicago

Museum page

On the same theme · Courtyard

All works on the theme
Alexandre-Gabriel Decamps, portraitAlexandre-Gabriel DecampsFrench, 1803–1860

May one see it?

Not receiving at present

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

What it shows

CourtyardWindowManBasketContainersRopesBoatsBuildingsBuildingFigures

In the catalog

PaintingsOilFrench paintingRealism19th centuryFrance

Sources

  • Art Institute of Chicago
  • Image: Art Institute of Chicago — CC0
Une rue à Smyrne, Decamps, Alexandre-Gabriel, XIXe siècle (1800 - 1900)

Une rue à Smyrne

19th century (1800–1900) · Musée du Louvre

Le valet de chiens, Decamps, Alexandre-Gabriel, XIXe siècle (1800 - 1900)

Le valet de chiens

19th century (1800–1900) · Musée du Louvre

Le rémouleur., Decamps, Alexandre-Gabriel, 2e quart du XIXe siècle (1825 - 1850)

Le rémouleur.

second quarter of the 19th century (1825–1850) · Musée du Louvre

La Caravane., Decamps, Alexandre-Gabriel, 2e quart du XIXe siècle (1825 - 1850)

La Caravane.

second quarter of the 19th century (1825–1850) · Musée du Louvre

Mendiant comptant sa recette., Decamps, Alexandre-Gabriel, 2e quart du XIXe siècle (1833)

Mendiant comptant sa recette.

second quarter of the 19th century (1833) · Musée du Louvre

Les sonneurs., Decamps, Alexandre-Gabriel, 2e quart du XIXe siècle (1841)

Les sonneurs.

second quarter of the 19th century (1841) · Musée du Louvre

Espagnols jouant aux cartes, dit aussi Les Catalans., Decamps, Alexandre-Gabriel, 2e quart du XIXe siècle (1843)

Espagnols jouant aux cartes, dit aussi Les Catalans.

second quarter of the 19th century (1843) · Musée du Louvre

Les remparts d'Aigues-Mortes., Decamps, Alexandre-Gabriel, 2e quart du XIXe siècle (1844)

Les remparts d'Aigues-Mortes.

second quarter of the 19th century (1844) · Musée du Louvre

The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Two Sisters (On the Terrace), 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

I sat for decades at morning breakfast tea looking out my kitchen window, one day recognized my own world the familiar backyard, a giant wet brick-walled undersea Atlantis garden, waving ailanthus (“stinkweed”) “Trees of Heaven,” with chimney pots along Avenue A topped by Stuyvesant Town apartments’ upper floors two blocks distant on 14th Street, I focus’d on the raindrops along the clothesline. “Things are symbols of themselves,” said Chögyam Trungpa Rinpoche. New York City August 18, 1984, Allen Ginsberg, 1984

Allen Ginsberg

I sat for decades at morning breakfast tea looking out my kitchen window, one day recognized my own world the familiar backyard, a giant wet brick-walled undersea Atlantis garden, waving ailanthus (“stinkweed”) “Trees of Heaven,” with chimney pots along Avenue A topped by Stuyvesant Town apartments’ upper floors two blocks distant on 14th Street, I focus’d on the raindrops along the clothesline. “Things are symbols of themselves,” said Chögyam Trungpa Rinpoche. New York City August 18, 1984, 1984

Not on view · National Gallery of Art

Man wijst twee andere mannen op de vierde etage, Honoré Daumier, 1852

Honoré Daumier

Man wijst twee andere mannen op de vierde etage, 1852

Rijksmuseum

The Fortress of Königstein: Courtyard with the Magdalenenburg, Bernardo Bellotto, 1756-1758

Bernardo Bellotto

The Fortress of Königstein: Courtyard with the Magdalenenburg, 1756-1758

Not on view · National Gallery of Art

Binnenplaats met planten in potten, Maria van Hohenzollern-Sigmaringen, 1881

Maria van Hohenzollern-Sigmaringen

Binnenplaats met planten in potten, 1881

Rijksmuseum

Binnenplaats, Maria van Hohenzollern-Sigmaringen, 1879

Maria van Hohenzollern-Sigmaringen

Binnenplaats, 1879

Rijksmuseum

Gezicht op een binnenplaats, Maria van Hohenzollern-Sigmaringen, 1874

Maria van Hohenzollern-Sigmaringen

Gezicht op een binnenplaats, 1874

Rijksmuseum

Binnenplaats met overdekte brug, Maria van Hohenzollern-Sigmaringen, 1871

Maria van Hohenzollern-Sigmaringen

Binnenplaats met overdekte brug, 1871

Rijksmuseum

Binnenplaats met planten in potten, Maria van Hohenzollern-Sigmaringen, 1881

Maria van Hohenzollern-Sigmaringen

Binnenplaats met planten in potten, 1881

Rijksmuseum