
Ludwig Mies van der RoheAmerican, 1886–1969Conchoidal Chair (Sections)
Can I see it?
Not on view at present
Where is “Conchoidal Chair (Sections)” now? Collection: The Museum of Modern Art, New York. Not on view at present. Checked September 22, 2026.
New York, United States
It belongs to the collection, but is not on display at present.
- Checked
- Source
- The museum
Details
- Accession number
- 1145.1974
In the catalog
Sources
- The Museum of Modern Art
- Image: The Museum of Modern Art — © the artist or rights holder
In the life of Ludwig Mies van der Rohe
The whole life1937–1938
Emigration to the United States
His modernist designs of glass and steel were not considered suitable for state buildings by the Nazis, and in 1937 or 1938 Mies reluctantly followed Gropius to the United States, where he accepted a residential commission in Wyoming and then an offer to head the department of architecture of the Armour Institute of Technology in Chicago.
1940
The Armour Institute becomes IIT: Mies stays
When the Armour Institute merged with the Lewis Institute in 1940 to form the Illinois Institute of Technology, Mies stayed to head its architecture department and was hired to design the new buildings and master plan of the campus; he replaced the traditional École des Beaux-Arts curriculum with a three-step education — from the crafts of drawing and construction through planning skills to the theory of architecture.
1940
Lora Marx, his companion to the end
From 1940 until his death the artist Lora Marx (1900–1989) was his primary companion.
1944
Becomes a US citizen
He became a US citizen, completing his severance from his native Germany; his thirty years as an American architect reflect a more structural, pure approach toward his goal of a new architecture for the twentieth century.
1946–1951
The Farnsworth House and the dispute with the client
He designed and built for Dr Edith Farnsworth a weekend retreat outside Chicago — a glass pavilion by the Fox River with a white steel frame and all-glass walls, raised six feet above a floodplain. The house took a while to be built because of underlying issues between Mies and Edith Farnsworth — a complex relationship, partly personal and partly about the design — and back-and-forth legal disputes followed.
15 October – 8 November 1947
A Theo van Doesburg exhibition in Chicago
Mies promised Nelly van Doesburg, the widow of Theo van Doesburg, that he would help organise an exhibition of her late husband’s work in Chicago; it took place from 15 October to 8 November 1947.















