Conchoidal Chair (Sections), Ludwig Mies van der Rohe, early 1940s
Ludwig Mies van der Rohe, portraitLudwig Mies van der RoheAmerican, 1886–1969

Conchoidal Chair (Sections)

early 1940s · Mies van der Rohe Archive

Can I see it?

Not on view at present

Where is “Conchoidal Chair (Sections)” now? Collection: The Museum of Modern Art, New York. Not on view at present. Checked September 22, 2026.

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
Source
The museum

Details

Accession number
1145.1974

In the catalog

Sources

In the life of Ludwig Mies van der Rohe

The whole life
  1. 1937–1938

    Emigration to the United States

    His modernist designs of glass and steel were not considered suitable for state buildings by the Nazis, and in 1937 or 1938 Mies reluctantly followed Gropius to the United States, where he accepted a residential commission in Wyoming and then an offer to head the department of architecture of the Armour Institute of Technology in Chicago.

  2. 1940

    The Armour Institute becomes IIT: Mies stays

    When the Armour Institute merged with the Lewis Institute in 1940 to form the Illinois Institute of Technology, Mies stayed to head its architecture department and was hired to design the new buildings and master plan of the campus; he replaced the traditional École des Beaux-Arts curriculum with a three-step education — from the crafts of drawing and construction through planning skills to the theory of architecture.

  3. 1940

    Lora Marx, his companion to the end

    From 1940 until his death the artist Lora Marx (1900–1989) was his primary companion.

  4. 1944

    Becomes a US citizen

    He became a US citizen, completing his severance from his native Germany; his thirty years as an American architect reflect a more structural, pure approach toward his goal of a new architecture for the twentieth century.

  5. 1946–1951

    The Farnsworth House and the dispute with the client

    He designed and built for Dr Edith Farnsworth a weekend retreat outside Chicago — a glass pavilion by the Fox River with a white steel frame and all-glass walls, raised six feet above a floodplain. The house took a while to be built because of underlying issues between Mies and Edith Farnsworth — a complex relationship, partly personal and partly about the design — and back-and-forth legal disputes followed.

  6. 15 October – 8 November 1947

    A Theo van Doesburg exhibition in Chicago

    Mies promised Nelly van Doesburg, the widow of Theo van Doesburg, that he would help organise an exhibition of her late husband’s work in Chicago; it took place from 15 October to 8 November 1947.

All works

On view at The Museum of Modern Art

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