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  3. Clouds, Death Valley
Clouds, Death Valley, Edward Weston, 1939
Edward Weston, portraitEdward WestonAmerican, 1886–1958

Clouds, Death Valley

1939 · Photograph

May one see it?

Not receiving at present

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Sep 28, 2026
Source
The museum
On the mapMuseum page

Particulars

1939 · aged 53
18861958
Accession number
1959.799

In the catalog

PhotographsGelatin silver printModernism20th century

Comings and goings

  1. Not on view at present

    Art Institute of Chicago · Sep 28, 2026 — now · Verified

  2. Whether it was on view is unknown

    Art Institute of Chicago · Unconfirmed

Sources

  • Art Institute of Chicago
  • Image: Art Institute of Chicago — © the artist or rights holder

Meanwhile, in the life of Edward Weston

The whole life
  1. 1937 · Award

    Guggenheim Fellowship

  2. until 22 March 1937

    Applying for the Guggenheim grant

    At Beaumont Newhall’s suggestion Weston decides to apply for a Guggenheim Foundation grant: he writes a two-sentence description of his work, assembles thirty-five of his favourite prints and sends them in. Dorothea Lange and her husband point out that the application is too brief to be seriously considered, and he resubmits it with a four-page letter and a work plan. He does not mention that Wilson wrote the new application for him.

  3. 22 March 1937

    News of the Guggenheim grant: two thousand dollars

    On 22 March 1937 Weston learns he has been awarded a Guggenheim grant, the first ever given to a photographer: $2,000 for one year, a significant sum at the time. He capitalises on it further by arranging to supply the editor of AAA Westway Magazine with 8–10 photographs a month for $50 during their travels, with Wilson earning another $15 a month for captions and short narratives. They buy a new car and set out on Weston’s dream trip to photograph whatever he wants.

  4. 1937–1939

    Nearly 1,400 negatives in two years on the fellowship

    The first photographer to receive a Guggenheim Fellowship, he produces nearly 1,400 negatives over the next two years with his 8 × 10 view camera.

  5. 24 April 1939

    Marries Charis Wilson

    Finally relieved of past financial stress and inordinately happy with both his work and his relationship, Weston marries Wilson in a small ceremony on 24 April.

  6. 28 May 1941

    The trip to illustrate Whitman’s “Leaves of Grass”

    Just as the Guggenheim money is running out, Weston is invited to illustrate a new edition of Walt Whitman’s “Leaves of Grass”: $1,000 for the photographs and $500 for travel expenses. He insists on artistic control and refuses to make literal illustrations of Whitman’s text. On 28 May he and Wilson set out on a trip that will cover 20,000 miles through 24 states; he takes between 700 and 800 8×10 negatives as well as dozens of Graflex portraits.

More by Edward Weston

All works
Shell, Edward Weston, 1927

Shell

1927 · The Museum of Modern Art

Cypress Root and Succulents, Point Lobos, Edward Weston, 1930

Cypress Root and Succulents, Point Lobos

1930 · The Museum of Modern Art

Guadalupe, Mexico, Edward Weston, 1924

Guadalupe, Mexico

1924 · Minneapolis Institute of Art

Violet Romer. (reaching for tall reed, wearing fairy costume), Edward Weston, c. 1917

Violet Romer. (reaching for tall reed, wearing fairy costume)

c. 1917 · Not on view · The Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Not on view · The Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Not on view · The Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Not on view · The Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Not on view · The Museum of Modern Art

Neighbors at Art Institute of Chicago

Museum page
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Two Sisters (On the Terrace), 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942