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Classical Figures, Angelica Kauffman, 1770s

Classical Figures

1770s · Oil painting · 29.5 × 25.4 cm

About the painting

Angelica Kauffmann (1741-1807) was born in Switzerland and was seen as a child prodigy. She soon specialised in history and portraits paintings while in Italy (especially Florence, Rome and Naples, Bologna, Parma and Venice) she was influenced by the nascent Neo-classical style. She became a member of the Roman Accademia di San Luca at the age of 23. She arrived in London in June 1766 and remained there for 15 years before moving back to Italy with her second husband the painter Antonio Zucchi (1726-1796). In London, she was a founder-member of the Royal Academy. All her life, she enjoyed international patronage such as the family of George III in Britain, Grand Duke Paul and Price Nikolay Yusupov in Russia, Queen Caroline of Naples and Emperor Joseph II of Austria among others. She died in Rome where her funeral was arranged by the Neo-classical sculptor Antonio Canova (1757-1822).

Read on

This painting is an oil sketch, i.e. a preparatory study for a larger composition. It shows classical figures set in a military camp. In the 1770s, Kauffmann made a series of painting drawing from classical subjects such as the Trojan legend and the Odyssey. Although the precise subject matter has not been identified, the overall setting, classical dresses and burning incense on the altar indicates that it probably draws from a Greek or Latin source.

Victoria and Albert Museum

Particulars

More by Angelica Kauffmann

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Accession number
DYCE.741

Sources

  • Victoria and Albert Museum
  • Image: Victoria and Albert Museum — © Victoria and Albert Museum, London
Angelica Kauffmann, portraitAngelica KauffmannSwiss, 1741–1807

May one see it?

Not receiving at present

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
12 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page
Parting of Abelard and Heloise, Angelica Kauffmann, 18th century

Parting of Abelard and Heloise

18th century · State Hermitage Museum

The Temptation of Eros, Angelica Kauffmann, 1750–75

The Temptation of Eros

1750–75 · The Metropolitan Museum of Art

The Victory of Eros, Angelica Kauffmann, 1750–75

The Victory of Eros

1750–75 · The Metropolitan Museum of Art

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851), Angelica Kauffmann, ca. 1776

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

ca. 1776 · The Metropolitan Museum of Art

Telemachus and the Nymphs of Calypso, Angelica Kauffmann, 1782

Telemachus and the Nymphs of Calypso

1782 · The Metropolitan Museum of Art

The Sorrow of Telemachus, Angelica Kauffmann, 1783

The Sorrow of Telemachus

1783 · The Metropolitan Museum of Art

Monsignor Giuseppe Spina (1756–1828), Angelica Kauffmann, 1798

Monsignor Giuseppe Spina (1756–1828)

1798 · The Metropolitan Museum of Art

The Three Graces distressing Cupid, Angelica Kauffman, late 18th century

The Three Graces distressing Cupid

late 18th century · Victoria and Albert Museum

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

a) The Last Supper; b) Putti, Vincenzo Tamagni, after Leonardo da Vinci, c. 1515

Leonardo da Vinci

a) The Last Supper; b) Putti, c. 1515

Not on view · National Gallery of Art

The Last Supper, after Leonardo da Vinci, probably 19th century

Leonardo da Vinci

The Last Supper, probably 19th century

Not on view · National Gallery of Art

Potato Eaters, Vincent van Gogh, 1885

Vincent van Gogh

Potato Eaters, 1885

Not on view · National Gallery of Art

Dream and Lie of Franco II, Pablo Picasso, 1937

Pablo Picasso

Dream and Lie of Franco II, 1937

Not on view · National Gallery of Art

Blinded Minotaur Led by a Girl III (Minotaur aveugle guide par une fillette III), Pablo Picasso, 1934

Pablo Picasso

Blinded Minotaur Led by a Girl III (Minotaur aveugle guide par une fillette III), 1934

Not on view · National Gallery of Art

Two Men (Deux Hommes), Pablo Picasso, 18 March 1967

Pablo Picasso

Two Men (Deux Hommes), 18 March 1967

Not on view · National Gallery of Art

At the Circus (Au cirque), Pablo Picasso, 1905, published 1913

Pablo Picasso

At the Circus (Au cirque), 1905, published 1913

Not on view · National Gallery of Art

In the Arena. Young Man Kills the Minotaur (Dans l'arène. Jeune homme achevant le minotaure), Pablo Picasso, 1933

Pablo Picasso

In the Arena. Young Man Kills the Minotaur (Dans l'arène. Jeune homme achevant le minotaure), 1933

Not on view · National Gallery of Art

What it shows

FiguresHelmetSwagsShieldWarriorTentWomanIncenseAltar

In the catalog

PaintingsOilSwiss school
Neoclassical
Britain