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  3. Capt. Henry P. Fleischman
Capt. Henry P. Fleischman, George Catlin, ca. 1825
George Catlin, portraitGeorge CatlinAmerican, 1796–1872

Capt. Henry P. Fleischman

ca. 1825 · Painting-Miniature · 6.1 × 4.9 cm

May one see it?

Unknown

Smithsonian American Art Museum

Washington, D.C., United States

The owner is known; whether it is on view today is not.

In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

About the painting

The Naval Library has no record of Henry Fleischman (1792-1835) having earned the rank of captain. He was captured once by the British, who had released him upon his oath not to fight against them again. Fleischman went on to serve on the USS Chesapeake under the name William Brown, a midshipman who previously had been posted aboard the ship. Fleischman’s actions were discovered and he was charged with “un-officer-like conduct” and falsifying his identity. Because of his youth and good record his only punishment was a public reprimand by the secretary of the Navy. George Catlin and his wife had planned to visit the Fleischmans at their home in St. Louis in October 1835, but arrived six months after the “Captain” died at sea. Although this miniature is dated 1825, it is possible that Catlin painted it on that trip, as a memorial for his friend’s grieving family.

Smithsonian American Art Museum

Particulars

ca. 1825
17961872
Accession number
1999.27.5

What it shows

OccupationsManPortraitCaptainMilitary

In the catalog

PaintingsWatercolourAmerican paintingNeoclassicismRomanticism19th century

Sources

  • Smithsonian American Art Museum
  • Image: Smithsonian American Art Museum — CC0

Meanwhile, in the life of George Catlin

The whole life
  1. 1823

    Studies art in Philadelphia

    Turning to portrait painting, he begins studying art in Philadelphia and becomes known as a portraitist.

  2. 1824

    Meets a delegation of Native chiefs

    In Philadelphia he meets a delegation of fifteen chiefs from the western frontier; after this meeting he resolves to paint only portraits of Native Americans and to preserve a record of their customs and people.

  3. 1825

    Erie Canal lithographs in Colden’s Memoir

    His first known works were sketches from nature along the Erie Canal; lithographs of several appeared in Cadwallader D. Colden’s 1825 Memoir, one of the first printed books to use lithography, with early images of Buffalo.

More by George Catlin

All works
Distant View of the Mandan Village, George Catlin, 1832

Distant View of the Mandan Village

1832 · Smithsonian American Art Museum

Mouth of the Platte River, 900 Miles above St. Louis, George Catlin, 1832

Mouth of the Platte River, 900 Miles above St. Louis

1832 · Smithsonian American Art Museum

Seet-sé-be-a, Midday Sun, a Pretty Girl, George Catlin, 1832

Seet-sé-be-a, Midday Sun, a Pretty Girl

1832 · Smithsonian American Art Museum

Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior, George Catlin, 1832

Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior

1832 · Smithsonian American Art Museum

Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee, George Catlin, 1832

Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee

1832 · Smithsonian American Art Museum

River Bluffs, 1320 Miles above St. Louis, George Catlin, 1832

River Bluffs, 1320 Miles above St. Louis

1832 · Smithsonian American Art Museum

Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief, George Catlin, 1832

Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief

1832 · Smithsonian American Art Museum

I-o-wáy, One of Black Hawk's Principal Warriors, George Catlin, 1832

I-o-wáy, One of Black Hawk's Principal Warriors

1832 · Smithsonian American Art Museum

Neighbors at Smithsonian American Art Museum

Museum page
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

Unidentified

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940s

Unidentified

Fish Decoy, ca. 1940s

On the same theme · Occupations

All works on the theme
Duc et Duchess de Brabant, Pierre Theunis, 1926

Pierre Theunis

Duc et Duchess de Brabant, 1926

Smithsonian American Art Museum

Shipping Coffee, Champerico, Guatemala, Eadweard Muybridge, 1875, published 1877

Eadweard Muybridge

Shipping Coffee, Champerico, Guatemala, 1875, published 1877

Smithsonian American Art Museum

(Study for "Labor"), Kenyon Cox, ca. 1870

Kenyon Cox

(Study for "Labor"), ca. 1870

Smithsonian American Art Museum

Head of the Artist, Alice Pike Barney, n.d.

Alice Pike Barney

Head of the Artist, n.d.

Smithsonian American Art Museum

A Passage from the Papers, Henry Wolf, 1887

Henry Wolf

A Passage from the Papers, 1887

Smithsonian American Art Museum

Max Weyl, William Henry Holmes, ca. 1875

William Henry Holmes

Max Weyl, ca. 1875

Smithsonian American Art Museum

Co-ee-há-jo, a Chief, George Catlin, 1838

George Catlin

Co-ee-há-jo, a Chief, 1838

Smithsonian American Art Museum

Marie Antoinette, Unidentified, n.d.

Unidentified

Marie Antoinette, n.d.

Smithsonian American Art Museum