George CatlinAmerican, 1796–1872Buffalo Chase, a Single Death
May one see it?
Unknown
Washington, D.C., United States
The owner is known; whether it is on view today is not.
- In this state since
- Source
- The museum
About the painting
“In the chase of the buffalo, or other animal, the Indian generally ‘strips’ himself and his horse, by throwing off his shield and quiver, and every part of his dress, which might be an encumbrance to him in running; grasping his bow in his left hand, with five or six arrows drawn from his quiver, and ready for instant use . . . These horses are so trained, that the Indian has little use for the rein, which hangs on the neck, whilst the horse approaches the animal on the right side, giving his rider the chance to throw his arrow to the left; which he does at the instant when the horse is passing---bringing him opposite to the heart, which receives the deadly weapon ‘to the feather’ . . . I have fairly represented the mode of approaching, at the instant the arrow is to be thrown; and the striking disparity between the size of a huge bull of 2000 pounds weight, and the Indian horse, which, it will be borne in mind, is but a pony.” George Catlin made this sketch on the Upper Missouri in 1832. (Catlin, Letters and Notes, vol. 1, no. 31, 1841; reprint 1973)
Smithsonian American Art Museum
Particulars
- Accession number
- 1985.66.408
What it shows
In the catalog
Sources
- Smithsonian American Art Museum
- Image: Smithsonian American Art Museum — CC0
Meanwhile, in the life of George Catlin
The whole life1830
First journey west with Governor Clark
He accompanies William Clark, governor of the Missouri Territory, on a diplomatic mission to Fort Crawford and then up the Mississippi into Native territory.
1830–1836
Five journeys into the American West
St. Louis was his base for the five trips and the steamer Yellowstone of the American Fur Company his first transport; he visited 48 tribes in all (other accounts say about fifty). On trips along the Arkansas, Red and Mississippi rivers, in Florida and around the Great Lakes he painted more than 500 pictures and gathered a substantial collection of artifacts.
1832
Up the Missouri to Fort Union
He ascends the Missouri more than 3,000 km to the Fort Union trading post (today on the North Dakota–Montana border) and spends several weeks among peoples little touched by European culture. Visiting eighteen tribes, among them the Pawnee, Omaha, Ponca, Mandan, Hidatsa, Cheyenne, Crow, Assiniboine and Blackfeet, he paints the most vivid portraits of his career.
March 1833
Prince Maximilian’s expedition sees his work
At Major O’Fallon’s country estate near St. Louis, members of Prince Maximilian of Wied-Neuwied’s scientific and ethnographic expedition look over the works from Catlin’s first Missouri expedition, among them the Swiss artist Karl Bodmer, who later painted many Native American portraits and scenes of his own.
spring 1834
Fort Gibson: portraits of Cherokee, Choctaw, Osage
Leaving New Orleans for Fort Gibson in Indian Territory, he paints portraits of Cherokee, Choctaw, Muscogee, Osage and other Native Americans.
19 June 1834
With the dragoons onto the Southern Plains
He sets out onto the Southern Plains with a dragoon detachment led by Henry Leavenworth and Henry Dodge, and visits Comanche and Wichita lands.