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  3. Branch with Leaves
Branch with Leaves, John Ruskin, 19th century
John Ruskin, portraitJohn RuskinEnglish, 1819–1900

Branch with Leaves

19th century · Drawing

May one see it?

Not receiving at present

Harvard Art Museums

Cambridge, United States

It belongs to the collection, but is not on display at present.

Checked
9 days ago
In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

Accession number
1926.33.193

In the catalog

Drawings & watercolorsGraphiteNeoclassicismRomanticism19th centuryBritish

Sources

  • Harvard Art Museums
  • Image: Harvard Art Museums — © President and Fellows of Harvard College

Meanwhile, in the life of John Ruskin

The whole life
  1. 8 February 1819

    Born

  2. 1843

    In defence of Turner: the first volume of “Modern Painters”

    The first volume of “Modern Painters” — an answer to Turner's critics — is published by Smith, Elder & Co. under the name “A Graduate of Oxford”; Ruskin controversially argues that modern landscape painters, above all Turner, surpass “Old Masters” such as Gaspard Dughet, Claude and Salvator Rosa in “truth to nature”, moral as well as material. Reviews are mixed, but Charlotte Brontë and Elizabeth Gaskell are impressed, and the book cements Ruskin's relationship with Turner.

  3. April – July 1854

    Effie leaves Ruskin and the marriage is annulled

    Suffering from illness and from fierce quarrels with her husband and his overly protective parents, Effie goes to her own parents in Scotland; she and Millais have fallen in love, and her leaving causes a public scandal. In April 1854 she files a suit of nullity on grounds of non-consummation, which is granted in July; Ruskin does not even mention it in his diary.

  4. 1858

    Turin: Veronese against a dull sermon

    In Turin Ruskin sits through a particularly dull sermon at a Waldensian church and sees Paolo Veronese's “Presentation of the Queen of Sheba” at the Galleria Sabauda; later, in April 1877, he will name this as the start of his “unconversion” from Evangelical Christianity. His faith, long shaken by Biblical and geological scholarship, collapses, and, believing that much of his writing had rested on lies and half-truths, Ruskin goes through a deep personal crisis before returning to Christianity after a long struggle.

  5. August – November 1860

    “Unto This Last” in the Cornhill Magazine

    In four essays published in the Cornhill Magazine Ruskin rejects the division of labour as dehumanising and calls political economy a false “science” that ignores the social affections that bind communities together, but the editor, Thackeray, is forced to abandon the series by the outcry of conservative readers and a nervous publisher. The national press is hostile and his father disapproves, while Carlyle is delighted and declares that they are henceforth “a minority of two”.

  6. 20 January 1900

    Died

More by John Ruskin

All works
Architectural details from the Sagredo Palace, Venice, John Ruskin, 19th century

Architectural details from the Sagredo Palace, Venice

19th century · Victoria and Albert Museum

View of Amalfi, John Ruskin, 1844

View of Amalfi

1844 · Harvard Art Museums

Fragment of the Alps, John Ruskin, c. 1854-1856

Fragment of the Alps

c. 1854-1856 · Harvard Art Museums

Gezicht op S. Anastasia te Verona, over de Adige, John Ruskin, 1829 - 1900

Gezicht op S. Anastasia te Verona, over de Adige

1829 - 1900 · Rijksmuseum

Bergkam aan het Meer van Genève, John Ruskin, 1829 - 1900

Bergkam aan het Meer van Genève

1829 - 1900 · Rijksmuseum

The Garden of San Miniato near Florence, John Ruskin, 1845

The Garden of San Miniato near Florence

1845 · Not on view · National Gallery of Art

Tower of the Cathedral at Sens, John Ruskin, c. 1845

Tower of the Cathedral at Sens

c. 1845 · Not on view · National Gallery of Art

Ornamental Study with Acanthus Motif for "The Stones of Venice", John Ruskin, 1849

Ornamental Study with Acanthus Motif for "The Stones of Venice"

1849 · Not on view · National Gallery of Art

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