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  1. Collection/
  2. Kupferstich-Kabinett Dresden/
  3. Bildnis Theodor Fontane
Bildnis Theodor Fontane, Max Liebermann, 1896
Max Liebermann, portraitMax LiebermannGerman, 1847–1935

Bildnis Theodor Fontane

1896 · Print

May one see it?

Unknown

Kupferstich-Kabinett Dresden

Dresden, Germany

The owner is known; whether it is on view today is not.

In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

1896 · aged 49
18471935

In the catalog

PrintsImpressionism19th century

Sources

  • Kupferstich-Kabinett Dresden
  • Image: Kupferstich-Kabinett Dresden — In Copyright

Meanwhile, in the life of Max Liebermann

The whole life
  1. 1894

    Death of his father Louis Liebermann

    Shortly before, late feelings for his father had awakened in Liebermann and the old disagreements had receded; after their reconciliation, the parting was especially hard. He became one of the heirs to a millionaire's fortune and the owner of the mansion on Pariser Platz — the police allowed the studio under its roof only in 1896, through the intervention of the minister of public works Karl von Thielen.

  2. 1896

    To Paris with Hugo von Tschudi: Manet's “Winter Garden” and Degas

    The new director of the Old National Gallery, Hugo von Tschudi, took Liebermann to Paris as an adviser on acquisitions; he talked Tschudi out of buying Manet's “Winter Garden”, fearing that even a naturalistic picture could cause a scandal in Berlin at the time. Through Tschudi Liebermann met Edgar Degas, and with the Prussian government's consent he was made a knight of the Legion of Honour.

  3. 1896

    Oxford and London: Whistler

    Liebermann spent ten days in Oxford, where his brother Felix was awarded an honorary doctorate, and in London he met James McNeill Whistler, whose etchings in the manner of the old masters made a great impression on him.

  4. 1897

    Jubilee exhibition for his 50th birthday at the Academy

    For his half-century the Academy of Arts gave Liebermann an entire hall: 30 paintings, 9 drawings, 3 lithographs and 19 etchings. He was awarded a large gold medal and the title of professor of the Academy.

  5. 1897

    Employed by: Academy of Arts, Berlin

  6. 1898

    President of the Berlin Secession

    When the jury of the Great Berlin Art Exhibition, chaired by Anton von Werner, rejected a work by Walter Leistikow, Leistikow called on independent artists to unite, and Liebermann was elected president of the association. He appointed the gallerists Bruno and Paul Cassirer as secretaries, and his fame secured the Secession public interest.

More by Max Liebermann

All works
The Ropewalk in Edam, Max Liebermann, 1904

The Ropewalk in Edam

1904 · The Metropolitan Museum of Art

Dutch Village Scene with Hanging Laundry, Max Liebermann, 1890

Dutch Village Scene with Hanging Laundry

1890 · Harvard Art Museums

Self-Portrait, Max Liebermann

Self-Portrait

Not on view · National Gallery of Art

Hyman Marzynski, Max Liebermann

Hyman Marzynski

Not on view · National Gallery of Art

Cafe, Max Liebermann

Cafe

Not on view · National Gallery of Art

Portrait of a Man, Max Liebermann

Portrait of a Man

Not on view · National Gallery of Art

Karl Legien, Max Liebermann

Karl Legien

Not on view · National Gallery of Art

Portrait, Max Liebermann

Portrait

Not on view · National Gallery of Art

From the collection of Kupferstich-Kabinett Dresden

Museum page
Der Erzengel Michael, Raphael

Raphael

Der Erzengel Michael

Kopf einer jungen Frau mit Turban und Perlenkette, Raphael

Raphael

Kopf einer jungen Frau mit Turban und Perlenkette

Plakat: I. Kunstausstellung der Wiener Secession, Gustav Klimt, 1898

Gustav Klimt

Plakat: I. Kunstausstellung der Wiener Secession, 1898

Jan Antonides van der Linden, Professor der Medizin in Leiden, Rembrandt, 1665

Rembrandt van Rijn

Jan Antonides van der Linden, Professor der Medizin in Leiden, 1665

Jan Antonides van der Linden, Professor der Medizin in Leiden, Rembrandt, 1665

Rembrandt van Rijn

Jan Antonides van der Linden, Professor der Medizin in Leiden, 1665

Diana und Aktaion, Rembrandt, 1663–1665

Rembrandt van Rijn

Diana und Aktaion, 1663–1665

Petrus am Totenbett der Tabea, Rembrandt, 1662–1665

Rembrandt van Rijn

Petrus am Totenbett der Tabea, 1662–1665

Die Frau mit dem Pfeil (Venus und Cupido?), Rembrandt, 1661

Rembrandt van Rijn

Die Frau mit dem Pfeil (Venus und Cupido?), 1661