Agostino CarracciItalian, 1557–1602Bespotting
May one see it?
Unknown: the museum keeps its counsel
Rijksmuseum
Amsterdam, Netherlands
The owner is known. Whether it is on view today, the museum does not say, and we were not trained to guess.
- Source
- The museum's own collection data
About the work
In the museum's own words — in Dutch
Christus, met doornenkroon en mantel, wordt aan het volk (in dit geval de beschouwer) getoond. Rechts staat Pontius Pilatus die naar Christus gebaart. Op de voorgrond bezwijkt Maria van verdriet en wordt ondersteund door een andere vrouw. Links een soldaat. Tekst in ondermarge.
Rijksmuseum
Particulars
- Accession number
- RP-P-H-D-112
What it shows
In the catalog
Sources
- Rijksmuseum: the museum's own open data · fetched 6 days ago
- Image: Rijksmuseum — public domain
Meanwhile, in the life of Agostino Carracci
The whole life1585 · Workplace
Cremona
1586–1587 · Workplace
Parma
1588–1589 · Workplace
Venice
1588–1589
Collaboration with Veronese and Tintoretto
In Venice he entered into creative collaboration with Paolo Veronese, whose official engraver he became, and with Tintoretto, who greatly valued his graphic abilities.
1588–1589
Birth of His Son Antonio in Venice
His son Antonio, the future painter, was born in Venice; Tintoretto became the boy's godfather.
1589–1594 · Workplace
Bologna
