Benevolence, from The Five Virtues, Suzuki Harunobu, 1767
Suzuki HarunobuJapanese, 1724–1770

Benevolence, from The Five Virtues

1767 · Print

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Not on view at present

Where is “Benevolence, from The Five Virtues” now? Collection: The Cleveland Museum of Art, Cleveland. Not on view at present. Checked September 29, 2026.

The Cleveland Museum of Art

Cleveland, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
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About the work

This print belongs to a series of five depicting the cardinal virtues of Confucianism. In this image, a courtesan demonstrates benevolence by shaving her attendant’s neck. The other virtues are righteousness, decorum, knowledge, and fidelity. A poem at the top reads as follows: "If you would dwell on the path of the heart, / that is kind to others, / then must you not also be someone, / who suppresses even her own name?"

The Cleveland Museum of Art

Details

Accession number
1949.124

In the catalog

Sources

In the life of Suzuki Harunobu

The whole life
  1. 1765

    The first full-colour nishiki-e prints

    The calendar prints became the first nishiki-e (“brocade prints”), and their origin is traced to 1765: Harunobu printed a single image from several separate blocks, up to ten colours on a sheet, and was the first ukiyo-e artist to use more than three colours consistently; notches and wedges held the paper in place so that the successive printings stayed in register. Paid for by wealthy patrons, he used the best materials — cherry wood instead of catalpa and more expensive colours applied more thickly for a more opaque effect.

  2. 1765–1770

    Five years at his peak: 20 books and a thousand prints

    Between 1765 and 1770 Harunobu created over twenty illustrated books, over one thousand colour prints (other accounts give more than eight hundred works) and a number of paintings.

  3. 1765–1770

    Recognised as the master of ukiyo-e and widely imitated

    In the last years of his life Harunobu came to be regarded as the master of ukiyo-e and was widely imitated: many artists copied his style during his lifetime.

  4. late 1760s

    Master of bijin-ga and scenes of Edo life

    Harunobu became one of the primary producers of pictures of beautiful women (bijin-ga) and scenes of urban life for the Edo print connoisseur market: his prints include not only geisha, courtesans and sumo wrestlers but also street vendors and errand boys. Accounts differ on portraits of kabuki actors: by some he was among the first to paint them, by others he scornfully refused the subject.

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