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  1. Collection/
  2. Albertina/
  3. Begrüßung
Begrüßung, Käthe Kollwitz, 1892
Käthe Kollwitz, portraitKäthe KollwitzGerman, 1867–1945

Begrüßung

1892 · Print

May one see it?

Unknown

Albertina

Vienna, Austria

The owner is known; whether it is on view today is not.

In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

1892 · aged 25
18671945

In the catalog

PrintsImpressionism19th century

Sources

  • Albertina
  • Image: Albertina — Public Domain Mark 1.0

Meanwhile, in the life of Käthe Kollwitz

The whole life
  1. 1890

    Back in Königsberg: her first studio

    In 1890 she returned to Königsberg, rented her first studio and went on depicting the harsh labour of the working class, a subject that inspired her work for years.

  2. 1890

    Her first etchings

    Her first etchings date from 1890, the technique in which she would later make sheets of The Weavers and the whole Peasant War cycle.

  3. 1891

    Marries the physician Karl Kollwitz

    She married Karl Kollwitz, a doctor who tended the poor of Berlin; the couple moved into a large apartment that remained her home until it was destroyed in the Second World War. Her husband’s nearby practice supplied motifs from the lives of workers, which, in her own words, she found beautiful.

  4. 13 June 1891

    Married: Karl Kollwitz

  5. 1892

    Birth of her son Hans

    In 1892 Käthe and Karl Kollwitz’s elder son, Hans, was born.

  6. 1892–1896

    Hauptmann’s “The Weavers” inspires a new cycle

    Between the births of her sons Hans and Peter she saw Gerhart Hauptmann’s play The Weavers, about the failed revolt of the Silesian weavers in Langenbielau in 1844. It inspired her to drop a series of etchings she had planned to illustrate Émile Zola’s Germinal and to produce a cycle on the weavers instead.

More by Käthe Kollwitz

All works
Weberzug (Ein Weberaufstand, Blatt 4), Käthe Kollwitz

Weberzug (Ein Weberaufstand, Blatt 4)

Albertina

Tod (Ein Weberaufstand; Blatt 2), Käthe Kollwitz

Tod (Ein Weberaufstand; Blatt 2)

Albertina

Not (Ein Weberaufstand; Blatt 1), Käthe Kollwitz

Not (Ein Weberaufstand; Blatt 1)

Albertina

Beim Arzt (Drei Flugblätter gegen den Wucher, Blatt 3), Käthe Kollwitz

Beim Arzt (Drei Flugblätter gegen den Wucher, Blatt 3)

Albertina

Beratung (Ein Weberaufstand; Blatt 3), Käthe Kollwitz

Beratung (Ein Weberaufstand; Blatt 3)

Albertina

Die Carmagnole, Käthe Kollwitz

Die Carmagnole

Albertina

Zertretene, Käthe Kollwitz

Zertretene

Kupferstich-Kabinett Dresden

Selbstbildnis und Studie zu einer Szene aus Germinal, Käthe Kollwitz

Selbstbildnis und Studie zu einer Szene aus Germinal

Kupferstich-Kabinett Dresden

From the collection of Albertina

Museum page
Zwei groteske Köpfe im Profil, Leonardo da Vinci

Leonardo da Vinci

Zwei groteske Köpfe im Profil

Landschaft mit Haus und Bäumen, Vincent van Gogh

Vincent van Gogh

Landschaft mit Haus und Bäumen

Friedhof im Regen, Vincent van Gogh

Vincent van Gogh

Friedhof im Regen

Studien eines erhobenen Armes mit Schultergelenk, Michelangelo

Michelangelo

Studien eines erhobenen Armes mit Schultergelenk

Studien eines weiblichen sitzenden Rückenakts, Michelangelo

Michelangelo

Studien eines weiblichen sitzenden Rückenakts

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien, Michelangelo

Michelangelo

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina"), Michelangelo

Michelangelo

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina")

Beweinung Christi, Michelangelo

Michelangelo

Beweinung Christi