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  3. Auf der Erde sitzendes Mädchen
Auf der Erde sitzendes Mädchen, Max Klinger, 1891
Max Klinger, portraitMax KlingerGerman, 1857–1920

Auf der Erde sitzendes Mädchen

1891 · Drawing

May one see it?

Unknown

Kupferstich-Kabinett Dresden

Dresden, Germany

The owner is known; whether it is on view today is not.

In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

1891 · aged 34
18571920

In the catalog

Drawings & watercolorsImpressionism19th century

Sources

  • Kupferstich-Kabinett Dresden
  • Image: Kupferstich-Kabinett Dresden — In Copyright

Meanwhile, in the life of Max Klinger

The whole life
  1. 1889

    Invited to exhibit with Les XX

    The members of Les XX (The Twenty) invite Klinger to exhibit his work in their annual winter exhibition in Brussels.

  2. 1889–1893

    Years in Rome

    He settles in Rome and studies the Italian masters: 15th-century artists and works from antiquity are a revelation to him, and he intensifies his studies of anatomy, the nude and the representation of mass and volume — a very productive time. Other accounts say he arrived in Rome already in 1888.

  3. 1891

    Treatise “Painting and Drawing”

    His polemical treatise “Painting and Drawing” (Malerei und Zeichnung), begun in Paris, is published: Klinger asserts a new role for prints and the graphic arts, distinct from painting and best suited to stylistic and conceptual experimentation. The book is a success and appears in Russian in 1908.

  4. 1891

    Elected a full member of the Munich Academy

    He stays in Munich, where he is elected a full member of the Academy of Fine Arts; he then travels to Italy again.

  5. 1891 · Membership

    Academy of Fine Arts, Munich

  6. 1892

    A founder of the group “XI”

    He becomes one of the founders of the group “XI”, made up of eleven artists, which opposes the Association of Berlin Artists.

More by Max Klinger

All works
Evocation (Evocation), Max Klinger

Evocation (Evocation)

Not on view · National Gallery of Art

Ex libris van Max Klinger, Max Klinger, 1867 - 1920

Ex libris van Max Klinger

1867 - 1920 · Rijksmuseum

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto), Max Klinger

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto)

Kupferstich-Kabinett Dresden

Umrahmungen zu "Amor und Psyche", Blatt 2, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 2

Kupferstich-Kabinett Dresden

Umrahmung zu "Amor und Psyche", Blatt 23, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 23

Kupferstich-Kabinett Dresden

Umrahmungen zu "Amor und Psyche", Blatt 4, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 4

Kupferstich-Kabinett Dresden

Umrahmung zu "Amor und Psyche", Blatt 21, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 21

Kupferstich-Kabinett Dresden

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5, Max Klinger

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5

Kupferstich-Kabinett Dresden

From the collection of Kupferstich-Kabinett Dresden

Museum page
Der Erzengel Michael, Raphael

Raphael

Der Erzengel Michael

Kopf einer jungen Frau mit Turban und Perlenkette, Raphael

Raphael

Kopf einer jungen Frau mit Turban und Perlenkette

Plakat: I. Kunstausstellung der Wiener Secession, Gustav Klimt, 1898

Gustav Klimt

Plakat: I. Kunstausstellung der Wiener Secession, 1898

Jan Antonides van der Linden, Professor der Medizin in Leiden, Rembrandt, 1665

Rembrandt van Rijn

Jan Antonides van der Linden, Professor der Medizin in Leiden, 1665

Jan Antonides van der Linden, Professor der Medizin in Leiden, Rembrandt, 1665

Rembrandt van Rijn

Jan Antonides van der Linden, Professor der Medizin in Leiden, 1665

Diana und Aktaion, Rembrandt, 1663–1665

Rembrandt van Rijn

Diana und Aktaion, 1663–1665

Petrus am Totenbett der Tabea, Rembrandt, 1662–1665

Rembrandt van Rijn

Petrus am Totenbett der Tabea, 1662–1665

Die Frau mit dem Pfeil (Venus und Cupido?), Rembrandt, 1661

Rembrandt van Rijn

Die Frau mit dem Pfeil (Venus und Cupido?), 1661