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  1. Collection/
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  3. Ashton Villa Plantation
Ashton Villa Plantation, Walker Evans, February/March, 1935, printed later
Walker Evans, portraitWalker EvansAmerican, 1903–1975

Ashton Villa Plantation

February/March, 1935, printed later · Photograph

May one see it?

Not receiving at present

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

Particulars

February/March, 1935, printed later · aged 32
19031975
Accession number
1991.1233

In the catalog

PhotographsGelatin silver printModernism20th centuryUnited States

Sources

  • Art Institute of Chicago
  • Image: Art Institute of Chicago — © the artist or rights holder

Meanwhile, in the life of Walker Evans

The whole life
  1. May – June 1933

    An assignment in Cuba

    In May and June 1933 Evans takes photographs in Cuba on assignment for Lippincott, the publisher of Carleton Beals' “The Crime of Cuba”, a “strident account” of the dictatorship of Gerardo Machado. He documents street life, the presence of police, beggars and dockworkers in rags, and other waterfront scenes; 31 of his photographs will appear in Beals' book.

  2. May – June 1933

    Drinking with Hemingway in Cuba

    In Cuba Evans drinks nightly with Ernest Hemingway, who lends him money to extend his two-week stay by an additional week. Fearing that his photographs might be deemed critical of the government and confiscated, he leaves 46 prints with Hemingway, and helps him acquire photos from newspaper archives documenting the political violence Hemingway describes in “To Have and Have Not” (1937).

  3. June 1935

    A miners' settlement and a staff post at the RA

    In 1935 Evans spends two months on a fixed-term photographic campaign in West Virginia and Pennsylvania; in June he accepts a job from the U.S. Department of the Interior to photograph a government-built resettlement community of unemployed coal miners in West Virginia. He quickly parlays this temporary employment into a full-time position as an “information specialist” in the Resettlement Administration (later the Farm Security Administration) and from October 1935 on does photographic work for it, primarily in the Southern United States.

  4. summer 1936

    Hale County with James Agee, on assignment for Fortune

    In the summer of 1936, while on leave from the FSA, Evans and the writer James Agee are sent by Fortune to Hale County, Alabama, for a story the magazine subsequently opts not to run.

More by Walker Evans

All works
African Sculpture, Walker Evans, 1935

African Sculpture

1935 · The Museum of Modern Art

Painted Sign on Fence, Cedar Point, Ohio, Walker Evans, 1930s

Painted Sign on Fence, Cedar Point, Ohio

1930s · Not on view · National Gallery of Art

Coney Island, New York, Walker Evans, 1928 or 1929

Coney Island, New York

1928 or 1929 · Not on view · National Gallery of Art

Manhattan, Walker Evans, c. 1928

Manhattan

c. 1928 · Not on view · National Gallery of Art

New York City, Walker Evans, 1928-1929

New York City

1928-1929 · Not on view · National Gallery of Art

Coney Island, New York, Walker Evans, 1928 or 1929

Coney Island, New York

1928 or 1929 · Not on view · National Gallery of Art

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · Not on view · The Museum of Modern Art

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · Not on view · The Museum of Modern Art

Neighbors at Art Institute of Chicago

Museum page
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Two Sisters (On the Terrace), 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942