Andrew Oliver, John Singleton Copley, c. 1758
John Singleton Copley, portraitJohn Singleton CopleyAmerican, 1738–1815

Andrew Oliver

c. 1758 · Painting

May one see it?

Yes, receiving visitors

National Portrait Gallery (Smithsonian)

Washington, D.C., United States

RoomEast Gallery 140

On public display.

Checked
In this state since
Source
The museum

Particulars

Accession number
NPG.78.218

What it shows

In the catalog

Sources

Meanwhile, in the life of John Singleton Copley

The whole life
  1. 1750s

    Self-education: engravings and anatomical studies

    Copley is largely self-taught, copying engravings after Godfrey Kneller, Joshua Reynolds and other masters. A book of his studies of the figure, now at the British Museum, shows that before he was twenty he was making anatomical drawings with much care and precision.

  2. 1753–1774 · Workplace

    Boston

  3. October 1757

    An invitation to paint portraits in Nova Scotia

    Capt. Thomas Ainslie, collector of the Port of Quebec, writes from Halifax acknowledging his portrait with great satisfaction and advises Copley to visit Nova Scotia, where several people would gladly employ him. The invitation was later repeated from Quebec; Copley replied that he would be glad to accept but had a large room full of unfinished pictures that would keep him busy for twelve months.

  4. 1760s

    A needy tobacconist’s son among Boston’s elite

    The income Copley earned by painting in the 1760s was extraordinary for his town and time and raised the son of a needy tobacconist into the local aristocracy. The foremost personages of New England came to his painting-room as sitters.

All works

In the same room · East Gallery 140, National Portrait Gallery (Smithsonian)

Museum page

On the same theme · Neckwear

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