Mary CassattAmerican, 1844–1926After-Dinner Coffee (recto)
May one see it?
Not receiving at present
Cleveland, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
About the work
Cassatt exhibited prints for the first time in 1880 at the fifth Impressionist exhibition. As the decade progressed, she continued to show her graphic work alongside pastels and paintings. In the spring of 1890, at the Deuxième Exposition de Peintres-Graveurs, she showed a group of drypoints, remarkable in their delicacy and precision, as well as a group of prints made with a combination of aquatint and softground etching that appeared quickly drawn and spontaneous. After-Dinner Coffee is a study for a softground etching with aquatint.
The Cleveland Museum of Art
Particulars
- Accession number
- 2009.137.a
In the catalog
Sources
- The Cleveland Museum of Art
- Image: The Cleveland Museum of Art — Museum open access
Meanwhile, in the life of Mary Cassatt
The whole life1890s
Mentor to young Americans
The 1890s are the busiest and most creative period of Mary’s life: young American artists seek her advice and support, and she introduces Lucy A. Bacon to Camille Pissarro.
1891
Bertha Palmer commissions a mural
Chicago socialite Bertha Palmer asks Mary to paint a 12 × 58 ft mural on “Modern Woman” for the Women’s Building at the World’s Columbian Exposition of 1893. Palmer thought Cassatt an American treasure and could think of no one better.
1891
Colour prints inspired by Japanese woodcuts
Mary exhibits a series of highly original colour drypoints and aquatints, among them “Woman Bathing” and “The Coiffure”, inspired by the Japanese masters shown in Paris the year before. She was drawn to the simplicity and clarity of Japanese design and its skilful use of blocks of colour.
