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  1. Collection/
  2. Herzog Anton Ulrich Museum/
  3. Abt
Abt, Wenceslaus Hollar, 1651–1680
Wenceslaus Hollar, portraitWenceslaus HollarCzech, English, 1607–1677

Abt

1651–1680 · Print

May one see it?

Unknown

Herzog Anton Ulrich Museum

Braunschweig, Germany

The owner is known; whether it is on view today is not.

In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

Meanwhile, in the life of Wenceslaus Hollar

The whole life
  1. 1646–1652

    Works in Antwerp during the Civil Wars

    During the unrest of the Civil Wars he works in Antwerp, where he produces many of his most renowned works: Dutch cityscapes, seascapes, depictions of nature, his “muffs” and “shells”.

  2. 1652

    Returns to London

    In 1652 he returns to London and lives for a time with the engraver William Faithorne near Temple Bar.

  3. after 1654

    Loses his young son to the plague

    His young son, who was reputed to have artistic ability, dies of the plague.

  4. 1668

    The king sends him to Tangier

    In 1668 the king sends him to Tangier to draw the town and its forts. The success of his “Views of London”, made after the Great Fire, and of other cityscapes such as the 1649 Great View of Prague may have prompted the commission.

  5. c. 1669

    A sea battle on the voyage home from Tangier

    His ship, the Mary Rose, under Captain John Kempthorne, fights a desperate and successful engagement against seven Algerian men-of-war; Hollar etches the battle for Ogilby’s “Africa”, published in 1670.

  6. 25 March 1677

    Died

More by Wenceslaus Hollar

All works

From the collection of Herzog Anton Ulrich Museum

Museum page

On the same theme · Der Tod als Skelett

All works on the theme

What it shows

Der Tod als SkelettTotentanzDer Tod tanzt mit einem oder mehreren MenschenSanduhrInsignien eines Bischofs, z.B. Mitra, KrummstabAbtAllegorySkelettTod (Personifikation)

In the catalog

PrintsBaroque17th century

Sources

  • Herzog Anton Ulrich Museum
  • Image: Herzog Anton Ulrich Museum — CC BY-NC-SA 4.0
Bride, from "Dance of Death", Wenceslaus Hollar, [1651] late 18th century printing

Bride, from "Dance of Death"

[1651] late 18th century printing · The Metropolitan Museum of Art

Thomas Wentworth, First Earl of Stafford, Wenceslaus Hollar

Thomas Wentworth, First Earl of Stafford

Not on view · National Gallery of Art

Lady Catherine Howard, Wenceslaus Hollar

Lady Catherine Howard

Not on view · National Gallery of Art

Sir John Wildman, Wenceslaus Hollar

Sir John Wildman

Not on view · National Gallery of Art

Venus, Wenceslaus Hollar

Venus

Not on view · National Gallery of Art

Thomas Howard, Earl of Arundel, Wenceslaus Hollar

Thomas Howard, Earl of Arundel

Not on view · National Gallery of Art

View of Antwerp, Wenceslaus Hollar

View of Antwerp

Not on view · National Gallery of Art

Francis Bacon in a Niche, Wenceslaus Hollar

Francis Bacon in a Niche

Not on view · National Gallery of Art

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771

Der Tod und der Landsknecht, Albrecht Dürer, 1510

Albrecht Dürer

Der Tod und der Landsknecht, 1510

Herzog Anton Ulrich Museum

[Die Todesstunde; The Hour of Death; L'heure de la mort], Ferdinand Bol, 1644

Ferdinand Bol

[Die Todesstunde; The Hour of Death; L'heure de la mort], 1644

Herzog Anton Ulrich Museum

Das Fest der Herodias, linkes Blatt, Hans Sebald Beham, 1520–1550

Hans Sebald Beham

Das Fest der Herodias, linkes Blatt, 1520–1550

Herzog Anton Ulrich Museum

Der Tod und das stehende nackte Weib, Hans Sebald Beham, 1547

Hans Sebald Beham

Der Tod und das stehende nackte Weib, 1547

Herzog Anton Ulrich Museum

Christus als Sieger, Hans Sebald Beham, 1526

Hans Sebald Beham

Christus als Sieger, 1526

Herzog Anton Ulrich Museum

Der Tod und das unzüchtige Paar, Hans Sebald Beham, 1529

Hans Sebald Beham

Der Tod und das unzüchtige Paar, 1529

Herzog Anton Ulrich Museum

Der Tod und die drei nackten Weiber, Hans Sebald Beham, 1520–1550

Hans Sebald Beham

Der Tod und die drei nackten Weiber, 1520–1550

Herzog Anton Ulrich Museum

Der Mensch zwischen Tugend und Wollust, Jost Amman, 1559–1591

Jost Amman

Der Mensch zwischen Tugend und Wollust, 1559–1591

Herzog Anton Ulrich Museum