A bridge seen from a riverbank, Beatrix Potter, ca. 1894
Beatrix Potter, portraitBeatrix Potter1866–1943

A bridge seen from a riverbank

ca. 1894 · Watercolour · 25.4 × 17.6 cm

Can I see it?

Not on view at present

Where is “A bridge seen from a riverbank” now? Collection: Victoria and Albert Museum, London. Not on view at present. Checked September 25, 2026.

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the work

Beatrix Potter (1866-1943) is one of the world's best-loved children's authors and illustrators. She wrote the majority of the twenty-three Original Peter Rabbit Books between 1901 and 1913. The Tale of Peter Rabbit (Frederick Warne, 1902) is her most famous and best-loved tale.

Read on

Before her marriage in 1913, Beatrix Potter accompanied her family on extended summer holidays and she often took the opportunity to sketch the places she visited. The subject of this undated study has been identified as the River Tweed at Coldstream, with a bridge and the river seen from the riverbank. Potter is known to have visited Lennel, Coldstream in summer 1894, when she spent time drawing the River Tweed, so this lively watercolour sketch may date from this trip. She said in her journal of the river: ‘I think it is a very beautiful stream and grows upon one. There is no impressive volume of water like the Tay, but it winds about in a sweet fashion, setting the meadows now on the north, now on the south and reflecting cliffs and trees in the deeper riches.’

Victoria and Albert Museum

Details

Accession number
BP.315

What it shows

In the catalog

Sources

In the life of Beatrix Potter

The whole life
  1. 1881–1897

    A journal in a cipher of her own

    From 1881 Beatrix kept a journal in a simple substitution cipher of her own devising — in tiny handwriting, serving as both sketchbook and literary experiment, in which she described society, her impressions of art and the life around her. The entries stop in 1897, when her energies were absorbed in scientific study and in efforts to publish her drawings.

  2. 1890–1894

    First commissions: cards, rabbits and frogs

    In the 1890s Beatrix printed Christmas and other greeting cards of her own design — her first commercially successful works. In 1890 the firm of Hildesheimer and Faulkner bought several drawings of her rabbit Benjamin Bunny to illustrate Frederic Weatherly’s verses “A Happy Pair”, in 1893 several more for “Our Dear Relations”, and in 1894 the publisher Ernest Nister took a series of frog illustrations and verses for the annual “Changing Pictures”.

  3. summer 1892

    Charles McIntosh and the fungi

    In the summer of 1892, at Dunkeld in Perthshire, Beatrix met Charles McIntosh, a revered naturalist and amateur mycologist: he helped make her illustrations more accurate, taught her taxonomy and supplied her with live specimens to paint in winter. By the 1890s her scientific interests had centred on mycology; she was first drawn to fungi by their colours and their evanescence.

  4. September 1893

    A letter to Noel Moore about four rabbits

    In September 1893, on holiday at Eastwood near Dunkeld, Beatrix ran out of things to write to Noel, the often-ill eldest son of her former governess Annie Carter Moore, and told him a story about “four little rabbits whose names were Flopsy, Mopsy, Cottontail, and Peter”. It became one of the most famous children’s letters ever written and the basis of her future career; it was Annie who later suggested that such letters might make good children’s books.

  5. 1895–1897

    A theory of spore germination, and Kew Gardens

    In 1895, curious about how fungi reproduce, Beatrix began microscopic drawings of agaric spores and developed a theory of their germination. Through her uncle, the chemist Sir Henry Roscoe, she consulted botanists at Kew and convinced George Massee of her ability to germinate spores, but William Thiselton-Dyer, the director of Kew, rebuffed her because of her sex and amateur status.

All works

On view at Victoria and Albert Museum

Museum page

On the same theme · Landscape

All works on the theme